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Scribble Artist Interview with Mia Meri!

Scribble Town (ST): Mia, you are the first Egyptologist I have ever met! And you are a lover of games, which makes you double great!  I am sure there are many other things about you that are just as interesting.  We can start this Scribble Artist Interview with where are you and what are you up to these days?
Buffy as a fantasy character by Mia Meri

Buffy as a fantasy character by Mia Meri


Mia Meri (MM)
: My name is Mia Meri, I’m a 35 year old woman living in Helsinki, Finland. I used to be a software designer but now I’m studying to become an Egyptologist at the University of Helsinki.

ST: What is Egyptology and what sparked that interest?

MM: Egyptology is the study of Ancient Egypt from prehistoric times, even before they built the pyramids of Giza (c. 2600 BC), up until Cleopatra VII died in 30 BC. I don’t know when I exactly became interested in Ancient Egypt. I think I’ve been that way since the time I can remember. As a child my invisible friend was Anubis, the jackal-headed god of mummification, and I copied mummification scenes with watercolors with great care as a kid. Since I liked dogs a lot anyway, Anubis was my favourite god, and I have always liked how the pencil flows when you draw his head and the way in which he was drawn by the Egyptians.

In fact it’s quite funny I used to do that already as a child since I’d like to make epigraphy for living, which basically means copying for example tomb walls by hand. It’s very important to copy the Ancient Egyptian building walls because they might get destroyed in time in earthquakes or the sand might erode the traces of paint away. Also the Egyptian reliefs are quite hard to photograph sometimes so drawing them by hand is the only way to get exact copies of the wall drawings even today.  Below is a copy of an Egyptian wall painting I’ve done for Scribble Town.

Egyptian drawing for Scribble Town by Mia Meri

Egyptian drawing for Scribble Town by Mia Meri

ST: What got you started creating, scribbling, and making stuff?

MM: I have always liked drawing and arts in general, and my whole family is quite artistic. My mom restores old dolls, my sister sews, my aunt is the best knitter I know, my dad is good at building, and I draw and do computer graphics. My mom always encouraged me at drawing and took me to arts classes meant for adults and I participated in the courses with them as the only child in the group. That’s how I learned to paint with oil colours and water colour [laveeraus] technique and it gave me the courage to start experimenting on my own. My mom also took me to art galleries and art museums a lot and our home was full of art books. I studied them on my own and tried many different art styles, and quite soon found the style that I like and which I have been thriving to achieve ever since then. For example I had a a period when I tried cubism after Picasso. I never found the strength in me to try the strong expressionism of Van Gogh. But in the end I found myself copying Rembrandt’s works. Of course I was only in elementary school age so my drawings and paintings weren’t even close to the masters, but I learned something new all the time like how to draw hands and how to draw eyes in detail.

Later I got interested in Marvel superhero comics and I especially liked the dynamic poses of the heroes. In classic art people usually have relaxed poses, but in superhero comics the people are always on the move and stretching their muscles. I especially liked to copy Jack Kirby’s style, because he had clear lines. Also, since superheroes usually have skintight clothing, they are a really good source to learn how the human body is built. From X-Men comics I learned how muscles attach to bones and how they bulge when you move. I also studied my own muscles from a mirror, trying to analyse how and which muscles bulged as I moved my hand in a certain way. I was still in elementary school at this time.

The first one is a drawing I made from a trip to Turkey my mom and I made when I was still in Elementary school. The drawing is not that old, it's based on one photo we took there. By Mia Meri.

The first one is a drawing I made from a trip to Turkey my mom and I made when I was still in Elementary school. The drawing is not that old, it's based on one photo we took there. By Mia Meri.

I think one part of the thing why I studied drawing almost analytically as a child was that I was quite shy as a child and therefore I had a hard time making friends. I spent a lot of time on my own, but it gave me the time to really stop and think about what I was doing. I had the time to try stuff on my own and to really look and study all the paintings and pictures in the art books.

Currently I don’t have that time to concentrate on drawing and I have noticed I’m not as good at drawing as I used to be ten years ago. But I still do a lot off scribbling. I need to be doing something with my hands all the time or I get very anxious and start biting my nails or find it hard to concentrate. For example if I’m sitting in a class I have to draw all the time I’m not writing down notes or my mind starts to wonder. I know some people think it’s rude to draw while they are giving a lecture as they think it’s because I’m not listening, but it’s in fact quite the opposite! If you don’t see me drawing or writing, then I’m not listening and quite soon will fall asleep.

Also, through my studies in Egyptology, I have to draw a lot since we have to know how to write with hieroglyphs and, as you might know, all those hieroglyphs are in fact drawings. For example my name “Mia” is written by drawing an owl (M), a flowering reed (I), a hawk (A) and finally a sitting female to determine that I am a female. The most common hieroglyphs are quite easy to draw, but there are some signs where you really have to concentrate, for example the determinative for “army” has a sitting man holding a bow and that’s a lot to draw quickly in a small space.

ST: Your mom is quite a lady! You are lucky to have had such a nurturing family figure in your life. Has anyone or anything in particular inspired you or inspires you now?

MM: One of the problems I’ve always had with drawing is that I have the worst imagination when it comes to what I should draw. Even though I do have a vivid imagination my biggest problem is that I can’t come up with what to draw next. My biggest source of inspiration are roleplaying games. Roleplaying games are a way of joint storytelling. One of us makes up a setting and the rest of us pretend to be characters, who go on an adventure in that setting. The adventures we experience in roleplaying games inspire my imagination. I always draw when I’m playing. When I hear of new people we meet in our journeys I soon start drawing them. The back stories of my characters and the events that we face often end up in my drawings.

D&D by Mia Meri. Here is a Scribble from a game we played yesterday. Our team faced seemingly overwhelming group of enemies, but luckily we were victorius!

D&D by Mia Meri. Here is a Scribble from a game we played yesterday. Our team faced seemingly overwhelming group of enemies, but luckily we were victorius!

ST: What is your favorite place to create?

MM: I really don’t have a preferable place to create. Well, home is good since I have everything I need here. But basically any place is good enough. I have drawn in meetings and bars, at restaurants, at cafes. Any place works for me as long as you can sit there for a long time and can get food and drinks if need be and have a toilet somewhere.

I think more important is the setting and the mood. My drawings quite often reflect my inner feelings, and thus when I draw during roleplaying games – since it’s so much fun and we laugh a lot – I tend to draw comic images. When I draw ancient Egyptian subjects I usually put on the Cleopatra movie with Elizabeth Taylor on the background. If I need to draw a sci-fi themed image I put on Bladerunner or its soundtrack.

But most importantly you need to have time for drawing. You can’t force a drawing except if it’s a technical drawing like those copies I make of tomb walls. But if I’m drawing just out of my own head I have to have time. I usually start by just scibbling something and usually end up drawing numerous images on numerous papers and throwing them away before the drawing I want to make comes out. Just like before exercise you need to warm up first, before drawing you need to get your brain, imagination and hands warmed up. Trying to force an image out is painful, but when you give the drawing a chance to form itself on the paper it’s the best feeling ever. I often say the drawings I made drew themselves. You see, sometimes when I start to draw something that I have in my mind I notice the drawing I’m making doesn’t work for that idea, but it might become something else, even better than the original idea. Sometimes I have accidentally drawn my friends. Of couse the more you draw the more control you will have over your own images and can direct the way they will look.

ST: Please tell us more about Nörttitytöt.  What is the group about and how are you involved?

MM: I am involved with a geek women’s community called “Nörttitytöt” (“geek girls”) here in Finland. I am one of three chief-in-editors for the blog (http://geekgirls.fi) where we have 80 writers, who take turns to write about various nerdy subjects. I’m specialised in the games section including video, board and card games. The blog is mostly in Finnish but we have occasional English articles there, too.

ST: Thank you for being so open about your childhood, inspirations, and passions.  That, in itself, is so encouraging for all of us to hear.  Mia has given us a fun activity to do on the Scribble Shop Blog :)

Learn how to draw your name in hieroglyphs!
http://www.scribbleshop.com/content/draw-your-name-using-hieroglyphs-mia-meri

Please send in your new name to us at .

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Scribble Artist Interview with Chris Reed!

Scribble Town (ST): From the looks of Chris Reed’s self portrait I think it’s safe to say he’s a very talented illustrator and designer.  Chris, I like your portrait!  Where are you and what are you up to these days?

Portrait of Chris Reed

Portrait of Chris Reed

Chris Reed (CR):  I work from my home studio in New Jersey and I love creating art every single day! I have been a professional Artist for about 25 years so I have had a chance to work on lots of different types of projects.

ST: It’s amazing when you find something you love to do and it just never gets old!  In fact, that’s when it gets more exciting :)  How old were you when you first started making art and who encouraged you to create?

CR: I was always interested in drawing pictures, and I got lots of encouragement from my family and my teachers. Drawing was always just a hobby until I finally realized that there were actually people whose job it was to design and draw pictures. I wanted to be one of those people, so I moved to New York City and went to art school.

ST: I think that something important to keep in mind.  So long as you enjoy what you are doing you will find a way to make it work for you.  Thank you for reminding us about that!  Where do you get your inspiration from?  What is your creative process?
Chris Reed's Illustrative Samples

Chris Reed's Illustrative Samples

CR: Right now I am working on a bunch of product designs, which is a lot of fun. Designing for products means that you are creating artwork for things like aprons, doormats, t-shirts, beverage coasters, and flags among others.  I try to come up with ideas that will make people laugh, or at the very least smile. This process starts with lots of doodles on a piece of paper until something magical happens, and a new idea is born!  After I have decided on an idea, I usually create the finished drawing on the computer and then email it to the company that is making the product.

ST: When in doubt just doodle and at the least a smile will appear.  Please share some other tips with us.

CR: My advice to kids who like to create art is to find a way make it fun. Make your own comic strip, paint a crazy swirly picture, or create a character for your favorite video game. The more you paint or draw or whatever, the better you will get!

ST: Thank you Chris!  Your passion for art and drawing shine even through your words.  Many smiles have formed from looking at your pictures so I think you are doing what you should be!  I smile every time I look at this sledding penguin :) Weeeee.

Penguin Sledder by Chris Reed

Penguin Sledder by Chris Reed

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Scribble Artist Interview with Pedro Mena!

Scribble Town (ST): Pedro Mena, a person of multiple trades and interests, is here with us in Scribble Town!  Pedro is an artist, teacher and a first time dad. He likes NY Pizza, Spanish Soccer, and the History of Rock and Roll!  Pedro, where are you and what are you up to these days?

Squeegees of Spain by Pedro Mena

Squeegees of Spain by Pedro Mena

Pedro Mena (PM): San Francisco Bay Area. Off on Paternity Leave! Returning to teaching visual art shortly. Donated a piece for the upcoming annual HAPS (Haight Ashbury Psychological Services) Art Auction Benefit.

ST: Congratulations on your new baby! Having a new family member will put a special spin on things :) How has your art practice changed over time and does being an art teacher (and for the future- being a father) have an effect on your own art practice?  Please let us know what ages and where you teach.

PM: It has become more specific in addressing necessity. Yes! It has allowed for more patience and flexibility – and a new outlook on seeking and bridging ideas. Middle School, Burke’s, SF.

A peek into Pedro Mena's classroom

A peek into Pedro Mena's classroom

ST: From the looks of your classroom you definitely encourage all kinds of artistic practice- from visual to musical!  What do you hope to communicate with your art and with your teaching?  Are there any other artistic mediums you work with to help push your idea along?

PM: Excitement and Engagement. Anything and everything! Music, technology, storytelling…

ST: How old were you when you first started making art and who encouraged you to create?

PM: I remember the first time getting recognized for my drawing – it was in 1st grade. A classmate asked for a drawing of Spider-Man after seeing mine. I won 3rd place in a community coloring contest later that year. I bought a toy robot of Twiki from the Buck Rogers series with the $10 toy store gift certificate prize. My family encouraged me. I was surrounded with the paintings, drawings, and prints of my grandfather growing up. He encouraged me as well. 

ST: Who are some of your favorite artists and/or authors?

PM: My grandfather, Bolivar Mena Franco, El Greco, Andrea del Castagno, Velasquez, Max Ernst, Rothko, Forrest Bess, Philip Guston,Jack Kirby, Wes Wilson, ’80s Ashley Bickerton, Jonathan Lasker, Steve Dibenedetto (college professor), Lady Pink, Nate 1…too many to name! They’ve all brought static works to life. As for writers, Peter Guralnick can sure bring a biography to life.

Pedro Mena's Rock Benefit Merchandise

Pedro Mena's Rock Benefit Merchandise

ST: I can see how your favorite artists have inspired you.  Your students are very lucky to have such an enthusiastic and caring teacher.  Thank you for sharing with Scribble Town and keep us posted on your upcoming auction and other benefit programs!

To read more about Pedro Meno’s tips on how to make Sticker Art please go to:
http://www.scribbleshop.com/content/sticker-art-pedro-mena 

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Scribble Artist Interview with David B. Levy!

Scribble Town (ST): And now introducing David B. Levy!  David is Manager of Animation at Disney Publishing Worldwide. Over his career, David has directed animated TV series and pilots for Nickelodeon, Cartoon Network, Scholastic, Disney, Sesame Workshop, National Geographic, and the Fox Broadcasting Company. As a writer, David has been engaged by major companies such as Garan, Inc., Kidville, and Classic Media to create animated projects based on existing properties and by Disney, which optioned one of his original creations.

Hello David B. Levy!

Hello David B. Levy!

ST: Wow!  You really have a whirlwind of experience in the animation world!  Where are you and what are you up to these days?  Is there a particular animation or book you are working on?
 
DL: I’m a 4th generation New Yorker, but my job (I started working for Disney a year ago) recently relocated me and our whole team to California. So, these days, I’m heading an animation team at Disney that makes interactive animated apps for hand held devices. After having worked for 18 years in New York animation, it’s been great to mix things up by diving into the larger industry pool in L.A. My last five years in NYC had me running my own successful virtual animation studio where I was the CEO, the HR department, the rep, director, and producer, etc. On top of that, I was teaching part time at NYU, SVA, and Parsons and heading up ASIFA-East (the NY Chapter of ASIFA). So, it’s been a nice relief to put my eggs in one basket for a change to focus my energies in a single direction within the Walt Disney Company
 
ST: From the East Coast to the West I can only imagine how has your art practice has changed over time.  What kind of animation did you start out doing and where has that taken you?
Grandpa Looked Like William Powell by David B. Levy

Grandpa Looked Like William Powell by David B. Levy

 
DL: I used to have a very limited view of animation, without even knowing that I did. I felt as though animation was it’s own category of media, but now I see it as another story telling device in the larger “film” umbrella. As a sideline experience in my career, I’ve been making short independent animated films since 1998, but only really figured out my filmmaker voice in 2010 when I started making a series of animated documentary shorts with subjects that were personal in nature. Two of these films, “Grandpa Looked Like William Powell,” and “Turning a Corner,” both debuted at the prestigious Tribeca Film Festival, an honor I never imagined I’d have.  My early films were attempts to please my mentors, be them my dad or my SVA instructors or my employers. It wasn’t until I made films for “me,” that a break through happened.
 
 
ST: What do you hope to communicate with your art?  Are there any other artistic mediums you work with? What kind of stories do you usually tell?
 
DL: With my animated documentaries, I’m enjoying having a platform to share personal stories that are about everyday life. In this area, filmmakers often choose a story about someone’s brush with history or with a specific historical event. But, I like exploring ordinary moments in time because there is so much richness in every person’s life. I feel that I’m making films that use animation and real audio to tell the story. I don’t feel that “animation” is the point of film itself. That’s a big difference in thinking for me.
 
ST: Is there a particular animation technique you like to create with?  Does the story follow the technique or vice versa?
 
DL: I’ve come to prefer a more “instant” method of animation so that my hand is creating final art from the first contact of the stylus to the cintiq. As much as animators are known for painstaking work done over a long period of time, it’s also true that many of us are lazy. My lazy side doesn’t want to spend time inking or coloring animation art, so I aim for a simpler graphic approach that doesn’t take too long and that isn’t over planned. By working so fast it allows me to spend more time being creative and allowing happy accidents to happen that enrich the final results.
 
ST: What are some of your favorite artists and/or animations and how have they inspired you?
 
DL: My (unofficial) mentors are Howard Beckerman, Michael Sporn, Robert Marianetti, and Linda Simensky–all of whom taught me lessons in the craft as well as the industry. My greatest hero is my dad who had his own successful career in advertising as a top art director in NYC, so I grew up knowing there was a living to be made in the commercial arts. As for specific animators that inspire me, there’s too many to mention. But, the list of live action filmmakers that inspire me is growing even more rapidly. Lately I’ve watched a lot of Igmar Bergman, for example. I think one of the best things an animator can do is to stop just ingesting other people’s animation. I think that’s a dead end and doesn’t lead to important work getting made.
 
ST: Well, surely you are an inspiration to many!  Thank you for sharing with Scribble Town!  To read more about David’s animation tips and learn about an excellent lead to animation groups in the NY area please go to http://www.scribbleshop.com/content/make-it-move-david-b-levy.
Turning a Corner by David B Levy

Turning a Corner by David B Levy

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