Who’s ready to decorate some Easter eggs for this weekend?

The tradition of dyeing them with food coloring is certainly pretty and fun to do, but there’s nothing wrong with getting a little creative and trying some unique ways to adorn your little hardboiled canvases. We’ve been showcasing some fresh and fuss-free ideas to try this year. You can check out our post on permanent marker Easter eggs here.

Another super fun and simple technique? Using temporary tattoos! All you need are your hardboiled eggs (shells on), temporary tattoos, and a damp sponge. You can buy some designs that appeal to you or if you’re feeling ambitious, you can print graphics of your own choosing on temporary tattoo paper and cut them out (Country Living provides this link to purchase temporary tattoo paper). It takes a bit of patience to ensure you press the tattoo flatly on the egg—just hold it down with your damp washcloth for about thirty seconds. It transposes onto an eggshell the same way it does onto skin.

This is also perfect if you’re looking to maximize decoration and minimize cleanup.  It’s quick, easy, inexpensive, and looks impressive! Now that’s a winning combination. There are plenty of tattoos of butterflies and flowers to be found if you want to stick with images of spring, but feel free to pick out any tattoos you like. Maybe put a couple tattoos on the same egg to create a little scene.

Do you have any tips for mess-free, creative Easter egg decorations? Do you still prefer classic dyed eggs?

Photo: Country Living

Photo: Ramblings of a Formerly Rock’n’Roll Mum

Scribble Town (ST): Hi Elisa! I can’t wait to show everybody your artwork that is based on videogames!  But first can you please let us know a bit about yourself.

Okamiden by Elisa Di Fiore

Elisa Di Fiore (EDF): My name is Elisa and I’m originally from Italy. I moved to the US in 2006, then recently moved back to Europe. I live in Finland now, but I’m always visiting new places. I can do this because I work from home –I work in videogame localization, translating games from English into Italian.

ST: When did you start getting into the game industry and how has that made an impact on your knits?

EDF: I’ve always liked videogames, but being a child in Italy I was supposed to play with dolls. My grandma wanted me to be a “proper” young lady, so she tought me to cross-stitch when I was about ten years old. I loved it, but I eventually grew tired of stitching endless flowers and kittens, which were the only patterns I could find at the time. A few years ago, when I was already working in the videogame industry, I had the brilliant idea of cross-stitching Super Mario characters from the old 8-bit games. After all, pixels look a lot like stitches, right? Well, the result was amazing and I haven’t stopped since.

Baby Peach Bib by Elisa Di Fiore

ST:  I bet you were always really talented when it comes to working with your hands!  Is there a certain place you like to be in when you are creating?

EDF: Home is the best place, of course, especially when it’s snowing outside and I can cozy up with a cup of tea and Doctor Who on TV. But I also enjoy meeting up with fellow knitters at one of the quaint cafés here in Helsinki –there’s an entire community of Americans knitting all over the city!

ST: What other forms of art do you practice?  What are your favorite tools you use to create?

EDF: I started knitting a couple of years ago and I’m enjoying it immensely here in Finland, where I can actually wear what I make. Before, when I lived in California, it was too warm to wear any wool! I also like sewing, quilting and perler beading, but really the best thing for me is just using my needle and embroidery floss anywhere I am. They’re practical and don’t take up any space.

ST: It does make a difference when you can use the art you make! That’s one motivation to create.  Are there any others?

Mario Bookmark by Elisa Di Fiore

EDF: I’m an active member of an online community called SpriteStitch.com. There’s a blog with inspiring craft ideas and a forum where we share patterns, tips and accomplishments. We also collaborate every year to put together a videogame-themed quilt that gets auctioned to fund Child’s Play, a charity that helps kids in hospitals all over the world.

I’ve included a simple cross-stitch pattern I designed some time ago, based on the cat Jiji from the animated movie Kiki’s Delivery Service. It should be easy enough to try for any wannabe cross-stitcher!

ST: Thanks Elisa!  From games to knits you really know how to make things come alive.  Already you have given so many pieces of inspiration- from bookmarks to bibs, anything is possible! For more information on Elisa’s Jiji cross-stitch pattern please go to

Mario Sampler by Elisa Di Fiore

Happy Passover to those celebrating! Boy oh boy, the holiday sure came early this year. We’re in the midst of a spring holiday marathon with St. Patrick’s Day, Passover, and Easter on consecutive weekends.

One important tradition of the Passover Seder is Elijah’s cup. Every year, we set out a glass of wine for the Prophet Elijah and open the front door to invite him in.  I remember Seders at my grandparents’ house when I was little. Elijah’s cup was always set at the kids’ table by the front door.

Since nobody is supposed to drink from Elijah’s cup, it’s mostly for show (and symbolism), so shouldn’t it look extra special? Why not have a little craft time to make a unique, beautiful, decorative cup to welcome Elijah to the Seder?

How you choose to decorate your cup is totally up to you! The one thing you’ll definitely need is a wine glass, either from a thrift store or dollar store (glass or plastic is fine). After that, you could use yarn, sequins, gems, tissue paper, stickers, paint, glitter, or anything else you can think of! Keep in mind whatever you use, you’ll probably need some glue or mod podge, paintbrushes, scissors and a flat workspace that can get a little messy. The best way to get glue on your wine glass is to use a paintbrush and paint it on. This will ensure an even, thin layer of glue that you can wrap yarn around, press tissue paper on, or sprinkle glitter over.

Take a look at these fabulous examples from some great blogs and feel free to click the source links for full tutorials.

Photo: She Knows

Photo: The Shiksa in the Kitchen

Scribble Town (ST): Hi Ernest! To me, your work is very playful so I wonder how do you describe your own artwork.  Especially in the portrait of you I can see the play oozing out of you as you play at work on your One Cloud painting (see below)!

Ernest Concepcion (EC): Hi! My name is Ernest Concepcion. I’m a Filipino visual artist and currently live in Brooklyn, NY. My works usually depict opposing forces engaged in ridiculous battle based on the nostalgic references of childhood and adolescence.

One Cloud, work in progress by Ernest Concepcion

ST: From the Philippines all the way to Brooklyn, where are you and what are you up to these days?

EC: I still live in Brooklyn, and have been here since moving from the Philippines in 2002. I do go back often to my home city of Manila and was just there for 6 months last year. It was probably my most productive trip so far. I was only scheduled for 1 solo show and then when my friends found out I was coming home, they invited me over to participate for more shows. In half a year, from February till August 2012, I ended up having 2 solo shows and 4 group shows, including exhibiting at a prominent museum in Manila. It was pretty crazy.

Gerana (The Wrath Of), ink, acrylic and colored pencil on paper by Ernest Concepcion

All the works were made there. For the first three months I was cranking it up doing 6 x 4 feet paintings. My sleeping habits changed. I started doing the UBERMAN cycle. Have you ever heard of that? You’re basically awake and work for 4 hours then take powernaps for 30 minutes to an hour and then work again for 4 hours and so forth. I tried it – I wasn’t exactly successful. Haha. Nah, I took it easy and still hung out with friends. I found out it’s better that way. But when I do work at the studio, I’m like an unstoppable freight train. I’m going back this year on August 2013 for more art projects.

ST: Your friends sound so great! So supportive of you and your art. I’m sure they were also just so happy to have you back home. When did you start drawing?

EC: I would say I started drawing when I was real young mostly because I was inspired by my older brother. He would draw these fantastic cars based on the 80’s movie Mad Max and I totally got into and started copying him. Later on I started drawing my own little stories with pictures on notebooks similar to the CHOOSE YOUR OWN ADVENTURES books. Comicbooks and Saturday morning cartoons have been a major influence as well. Come to think of it, my drawing style has not changed much at all. It probably has changed technique-wise in terms of perspective, anatomy, linework – but I would say it has retained its childlike qualities that harkens back to young Ernest. I was trying to think if art school changed my drawing style at all, but I think not that much. Undergrad in the Philippines was more about theory for me and my drawing process went into a dormant state because I got heavily into conceptual art and video. But when I moved to New York, it almost seems like that hibernating child-general woke up all of a sudden ready for action.

Life In A Hidden Valley by Ernest Concepcion

ST: Between all the traveling, is there a favorite place you like to create?

EC: Well, I currently work from home and do my oil paintings in my own apartment. Oftentimes I couldn’t believe how I managed to do this but I guess I was able to adapt and develop my organizational skills in paintings. So I would say this is my favorite place right now. I did have a studio in Gowanus, Brooklyn for 3 years and that used to be my favorite place to work. I would spend countless hours there and was able to produce a ton of work. But alas, I had to move out in 2009. However, when I fly back to Manila I work at Mom’s house and she has prepared a space for me to work there, which I would say is probably the best. Its right beside her garden and there’s a sense of calm and serenity in the studio – a perfect contrast to my conflict-ridden works. I’m not exactly the type who draws in the subway, in a café, etc. I don’t usually carry a sketchpad at all even. Just a notebook to jot down ideas and that’s it. I make art at the studio. When I’m at a café, I drink coffee.

Queens 2020, Ernest Concepcion

ST: What other forms of art do you practice? What are your favorite tools you use to create?

EC: I also practice installation art and I collaborate murals with my friend Mike Estabrook as the Shining Mantis. I’ve been getting more and more into comicbook making and that’s definitely something I would like to develop soon. I was a big fan of the Sharpie for my drawings, I still am! But I’m totally getting into drawing with a brush these days and India ink tends to stay longer and seem more vibrant in the long run. Also, I could make entire fields of black with an ink-filled brush and that saves a lot of time.

ST: I’m seeing and hearing a theme of childhood in your artwork, but is there something in particular you want to say with your art?

EC: In my works, I would like to express what it’s like to be a kid again. The joy of expressing relentlessly.

ST: Is there a piece of art that speaks to you?

EC: There are so much art that speaks to me, but the ones I really appreciate are the works that I could feel express a certain vibe of ferocious expression – I don’t know, I can’t explain it too well.

Pajama People vs. Apparitions, ink on acetate, watercolor on paper by Ernest Concepcion

ST: Where do you get your inspiration from and who inspires you?

EC: Right now I’m getting a lot of inspiration from independent game designers. Haha. Seriously. I’m an avid gamer and seeing the works of most indie game developers and feel the years they spent on coding, designing, beta testing and perfecting these games via patches and downloadable content never fail to inspire me. I recently attended a festival about Andy Kaufman and it ran for 2 weeks. I was there almost every day! It was amazing. For me he’s a real inspiration, and he’s true to his craft. And when I mean ‘true’, I meant he doesn’t care what he was doing really, he was totally just having so much fun at the moment. And to me that’s awesome.

Kangarok 1 and 10th, Ernest Concepcion

ST: Your work does look fun and Ernest, you have done so much!  Any tips for us?

EC: I would advice to everyone to just keep making work and expressing without boundaries. I am also an art teacher myself to kids and I have always been open in encouraging my students to constantly experiment and explore. Breaking rules are great, but it will be futile if you don’t know the rules first. So learn the basics, the parameters, the limitations, the rules, and then transcend them.

ST: Thank you Ernest for sharing so much with us!  And don’t forget to play Ernest’s Shooting Stars game, http://www.scribbleshop.com/content/play-shooting-stars-game-ernest-concepcion

Kangarok III

Scribble Town (ST): From afar and up close, Erin Schmidt’s cross stitching is magnificent!  Erin is drawing with needle and thread!  Erin lives in Hudson, OH, which is outside of Akron/Cleveland.   Her family moved here from the St. Louis suburbs back in 2011.  Not only is she a cross stitching extraordinaire, she is also an attorney.  Erin, what is your favorite thing to create?

The Fairy Moon by Erin Schmidt

Erin Schmidt (ES): I think my favorite thing to create is a little bit of magic and the emotions that surround the work.  It is capturing something beautiful and preserving it for time.  Sometimes it is the picture as a whole that catches my interest, and sometimes it is just a color.  But often it is the emotional response.  Not only does this come from the finished project, but also all the work that goes into it.

The Fairy Moon (close up) by Erin Schmidt

ST: I like how you create magic  What other forms of art do you practice?

ES: Besides cross stitching, I also do crocheting and some photography.

ST: Both are very expressive mediums in very different ways.  Is there something you want to say with your art?

ES:It depends on the form.  My cross stitch evokes a lot of emotion for me.  It can be used to memorialize events in your life, which I have done.  But I tend to lean towards patterns that invoke a more elegant or magical age.  Which is why  you will see lots of ball gowns, faeries, and a lot of detailed use of specialty threads and beads.  I love the artwork of Nene Thomas and I have several of her prints in my house and have started gathering others in the form of cross stitch patterns.

The Fairy Queen (in progress) by Erin Schmidt

When it comes to crochet, it is all about home and comfort.  These are much more for everyday usage, and a daily reminder of the person who made it for them.

Photography, like cross stitching, I like to capture a simplistic beauty.  I live near a National Park so I do a lot of scenery and wildlife pictures.

All of these activities I find rather relaxing, even when I mess them up or become frustrated with them.

ST: It’s great when we can relax even when we mess up.  Thanks for reminding us about that!  Where do you get your inspiration from and who inspires you?

ES:Part of my inspiration is just a need to relax and allow myself to drift off to another place.    With Cross Stitch, we get the luxury of being able to do just about any drawing, painting, or picture that catches your eye to recreate into multi textural work.  The best part of the art I like to do is that anyone can do them, even younger kids.   Cross stitch patterns come in many sizes, from projects with very few stitches to the ones I do with 60,000-100,000 stitches.  I started cross stitching at age 7 with simple Christmas ornaments that I gave to relatives.

ST: Thank you Erin for sharing you artwork with us.  We all need to relax and let ourselves get swooped up by the activities we enjoy.  You have found your magic!  To start your own magic you can go to Scribble Shop Blog and see the Box Stitch activity Erin has created for you:
http://www.scribbleshop.com/content/box-stitching-erin-schmidt

Sabrina by Erin Schmidt

For those who’ve been reading this blog for a while, you may remember how I sometimes see snacks in art. Well, call me crazy but there really are snacks in this art! Jelly Belly, the famous jellybean company decided that their tasty candy isn’t just for eating. It’s also for creating beautiful art!

Jelly Belly Candy Company commissions talented artists, such as Kristen Cumings, Malcolm West, and Peter Rocha, to create masterpieces entirely out of jellybeans. Some of these include already famous works of art, like the Mona Lisa originally by Leonardo da Vinci, Starry Night originally by Vincent Van Gogh, and American Gothic originally by Grant Wood. They also have portraits of pop culture icons and politicians, like Marilyn Monroe, Ronald Reagan, and Margaret Thatcher.

These impressive pieces are usually around 4 x 4 feet or 4 x 6 feet and can contain up to 12,000 jellybeans attached with spray adhesive. With Jelly Belly’s incredible variety of flavors, artists have so many options when matching shades and choosing color palettes. Consequently, these candy creations have a beautiful depth and precision worthy of a spot in any museum.

Want to get in on the sugar-filled creative action? Grab some jellybeans, glue, and cardboard and get started! It helps to give yourself an outline to work with (it will be covered by the beans anyway) and organize your colors a bit before starting. Or hey, why not make it entirely edible? Use some sort of baked good as your flat surface (a cake, brownie, or cupcake) and frosting as your adhesive.  This could be a perfect treat with Easter coming up. Yum!

The Starry Night by Kristen Cumings, original by Vincent van Gogh

Martin Luther King, Jr. by Peter Rocha

American Gothic by Kisten Cumings, original by Grant Wood

Here’s a fascinating  inside how artist Kristen Cumings works on her jellybean creations.

To check out more Jelly Belly art, take a look at their website gallery. Have you every tried making art with edible materials? What food or candy do you think would make great art supplies?

Who’s ready for another dose of Scribblinspiration (get it?)?! Last time, we looked at some jellyfish to get the creativity flowing. Now for a change of pace, let’s try something a little more open-ended to prove inspiration can truly come from anything! Even something as simple as a pattern or type of fabric. Try brocade for example.

Brocade is a kind of fabric that dates back as far as the Early Middle Ages. It’s woven on a shuttle and is generally made with silk and gold or silver thread (it doesn’t technically have to have gold or silver, but it often does). What’s fun about brocade is it doesn’t always look the same as it’s managed to make its way around the world.  You can trace it all the way back to Byzantium and it was originally worn only by nobility, but many parts of the world put their spin on it, from China and Japan to Greece, France, and Italy.

Today, brocade is used for upholstery and drapes, formal clothing and costumes. Let your imagination run and see what this pattern inspires for you. Maybe the gorgeous flourishes take you somewhere abstract. Perhaps it brings to mind royalty from another time or a lavish ball with everyone dressed in their finest. Maybe all the silver and gold or rich jewel tones get you going—remember, even just the color scheme can serve as inspiration. I see flowers in many of the designs and that makes me thing of a fabulous garden. Since it’s a fabric, maybe it makes you want design your own costumes or modern outfits or even rooms inspired by brocade. For those of you crafty sewers out there, feel free to take the inspiration literally and try using brocade or something similar like damask or brocatelle to actually create something.

See? There really are a lot of possibilities, even with something as simple as fabric. Give your imagination the royal treatment and see what happens!