Colored pencils aren’t just for drawing anymore! In fact, they make some pretty adorable jewelry. Showcase your love of art and color with these fun colored pencil pieces. Usually, colored pencils are used to create something pretty, but here the pencils get to take center stage. By cutting them into beads, you can make bright and unique necklaces, bracelets, brooches, and earrings.

To make the beads, you will need some basic tools: a junior hacksaw, fine sandpaper, a drill and small drill bit. Then of course you’ll need colored pencils and thread. For specific directions and necessary materials, check out Kate’s fabulous tutorial on Design Mom.

Grown-ups will definitely need to help prepare the beads (there’s a bit of sawing, sanding, and drilling involved), but kids will love stringing the beads and creating their own jewelry. It’s also a great way to play with color; pick a specific scheme, build a pattern, or make a rainbow!

Image (and tutorial) via Design Mom

Images via Etsy  one and two

This would make a great activity for a birthday party, class project, or just a rainy day.  It would also be a perfect homemade gift (the holidays are right around the corner… hint, hint). Artists, art enthusiasts, crafters, teachers, and kids would all appreciate this simple, yet impressive jewelry!

What other art inspired jewelry would you create?

Scribble Town (ST): Carly Kasner shows us how animations bring to life more imagination than we could imagine.  It is easy to see in her artwork and her approach to creativity!

Carly Kasner (CK): Hello Scribblers, I come from Long Island and graduated from FIT, May 2012. I am a graphic designer with some essence of illustrator mixed in. From the time I was little till this very day, I have had a special connection with cartoons, which inspires and or impacts my work today.

Anime self portrait of Carly Kasner

ST: How are you spending your time these days?

CK: I am currently interning at The Jewish Board of Family and Children’s Services in New York City. It is a non-profit organization that provides mental health and social services. I design various flyers, books, and print/e-mail invitations there. In my spare time, I have been recently involved in t-shirt design contests between the websites threadless.com, and welovefine.com.

In addition to that, I occasionally create my own characters for fun. In recent years, I do consider my work to be more digital but I still highly respect the traditional methods as well as the digital I utilized InDesign, Photoshop and Illustrator as my main digital formats I use whatever tool(s) will get the job done in the best way for my idea/client.

Monster’s Inc scribble shirt by Carly Kasner

ST: Designing t-shirts sounds really fun and it must feel good when you see somebody wearing one of your ideas. When did you start illustrating / scribbling / being creative?  Was there somebody that encouraged you?

CK: The beginning of my creative era was around kindergarten I stumbled into my interest of drawing through the inspiration I got from cartoons and my love for doodling. I used to like to draw dogs. I feel that I was born with a love for drawing.

ST: Your love for dogs is seen in your North Shore Animal League Logo.  I really like how you’ve nested the dog and the cat together.  It’s as if they were hugging each other.  It’s a very clever design!  Where do you find yourself feeling really inspired to create?

North Shore Animal League logo by Carly Kasner

CK: I think my inspiration can come from different sources and/or artists, but I think my, main root was the endless hours I spent in front of the TV growing up. I was a 90s child and some of my favorite cartoons were Courage the Cowardly Dog, Hey Arnold, the Rugrats, and The Angry Beavers. I was inspired not only by the characters image; I was inspired by the stories that molded the characters personalities. And as I got older, I became inspired by Japanese cartoons and comic books a.k.a. anime and manga.

ST: What other forms of art do you practice?

CK: In high school, I did some ceramics, collages, oil painting, and water colors in recent years, I am still partial to the sketchpad and pencil. I try to use that for my creativity as much as possible and even though I haven’t practiced it much lately I am also fascinated by watercolors.

ST: What is your favorite movie?

CK: My favorite movie is Hayo Miyazaki’s Spirited Away.

ST: I also really liked Miyazaki’s Howl’s Moving Castle.  The story and images are unforgettable!  Carly, please share any tips, advice, or ways of encouraging scribblers.

CK: I struggle sometimes with accepting mistakes but it is important to accept mistakes and to learn from them. Try not to let them discourage you. I try to look at mistakes as boundaries to define what not to do next time. Keep in mind that you can’t get something right unless you get it wrong.

ST: Thanks Carly! That’s great advice!  Making mistakes is a big part of life and making art.  At least we can say we tried

Sweet Bots by Carly Kasner

Scribble Town (ST): With us is Joel Garten, an artist, composer, writer, and entrepreneur.  Joel says, “I have so many different things that I do, and the thing that unites them all is a sense of flow and creative energy.  I use that sense of flow and intuition in everything I create, and try to have a sense of flow in my path through life.”  Yes, you do Joel and it is seen in your colorful, vibrant, and musical paintings.

Joel, where are you and what are you up to these days?

Joel Garten (JG): I am working on a series of large scale paintings. These paintings are 4 feet by 8 feet, really long scrolls of paper that I paint with many different type of media.  I also compose music on the piano regularly.

ST: When did music enter your life and was there somebody that encouraged you to compose?  I wonder what came first- music or painting?  I say this because I can see the music in your paintings!

JG: The music certainly came first in my life.  It came very early, I started playing piano when I was eight or nine, and I began composing music very soon thereafter.  It is something I took to very naturally, and I have been composing for more than 20 years.  Interestingly, I have a lot of difficulty reading music – almost like music notation dyslexia – which meant that I devoted most of my musical output to improvising music.  This means I write the music as I play, it is all one artistic creation of the moment.  My music is very personal, and an expression of my sense of intuition and rhythym.  My music has also always been influenced and inspired by visual art, such artists as Jackson Pollock, Giorgio Morandi, and Richard Diebenkorn.  It is meditative, soulful, dissonant, and repetitive; but repetitive in a good way – the way that repetition can unearth deeper truths in the music as it unfolds.

Here is an improvisation from a recent concert I did in Toronto: joel-garten-live-in-concert

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

ST: And with painting- how do you feel the two artistic elements support each other?

JG: Creating visual art myself is something that happened only recently, and has really increased in intensity in the past few months.  I was inspired to create art by seeing works by Jean-Michel Basquiat.  Just like Basquiat, my work has a lot of bright, joyful colors, but also works at deeper level, what the Abstract Expressionist called “the sublime”.  Abstract expressionism is an influence on my art, as is the work of Cy Twombley.  Yes, there is a lot of music in my artwork, and a lot of people say they can really see music in my paintings.  It is because there is a lot of energy, vibration, and that sense of flow that I talked about earlier in the paintings.  The artworks have rhythm.

ST: When did you start composing, playing the piano and painting?  You play improvisational music- do you ever paint in that manner?

JG: The artwork is definitely improvisational.  I start with no preconceived plan or sketch, I simply start in, and follow my intuition.  I let the painting tell me what to do.  And recently I have been starting to use acrylic paints to do essentially finger painting – except using my whole hand, and sometimes my whole arm.  I also use both hands to paint, sometimes at the same time, just like using my right and left hand to play piano.

ST: What have you been listening to when you paint?  What kind of music do you like?

JG: I have a number of different things on when I paint, sometimes it is Stevie Wonder, sometimes it is jazz by Keith Jarrett (a big influence in my music) or Bobo Stenson.  I like classical music, jazz and Motown, as well as new music.

ST: Where do you find yourself feeling really inspired to create?  If there’s a process you go through to spark the creativity, please let us know.

JG: I usually get most inspired at night.  I don’t really need daylight to paint, I like to paint under incandescent lighting. I put on some music, take some supplies and start painting.

"Untitled" 22×30 inches, oil pastel and oil stick on paper by Joel Garten

ST: What are some other forms of art you practice? Do you ever mix other mediums with your oil pastels?

JG: Well, I have a plan to do a number of other types of art.  The next thing I would like to do is use my artwork to create fashion.  Yes, I use oil pastels, oil stick (oil paint in stick form), and acrylic paint.

ST: I can’t wait to wear a piece of your art!  Do you ever play with other musicians?  Please let us know of your next show.

JG: I improvise music on my own, it is a very personal, and maybe even spiritual experience.  I do have interactions with other musician though.  When I was younger I was invited by the rock musician Bryan Adams to play a concert at his studio in Vancouver.  I am also doing a series of artist profiles of musicians, which is being published on the Huffington Post.  Right now I am focusing on doing small scale studio sessions-concerts of my music, and I want to turn those into a CD.

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

ST: You are up to all sort of creative happenings. Definitely keep Scribble Town posted on all your adventures! Just hearing about how energetic, active, and open you are is encouraging in itself.

JG: A lot of children are natural artists, and famous painters like Basquiat and Jean Dubuffet were inspired by children’s paintings.  It is hard for people to hold onto to their child-like talents as the get older, and marry those instincts with experience.

ST: Thank you Joel for all your insight and inspiration!  Joel has also given parents and teachers tips on how to talk about art with young artists.  To read more about that please go to the Scribble Shop Inspirations page: http://www.scribbleshop.com/content/artist-joel-garten-shares-how-create-and-talk-about-art-your-child

Check out Joel Garten’s website www.joelgarten.com!

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

Irra Verbitsky is an award winning artist, animator and independent filmmaker living and working in NYC.  She has so many talents and accomplishments that it is hard to name them all!  She was also my storyboard teacher at the School of Visual Arts where she still teaches in the animation department.

"Viking Voyage" by Irra Verbitsky

Currently, Irra is the President and Creative Director at Polestar Animation.  She is involved in many things such as designing storyboards, background designs and animation.  Her independent animated films have been screened internationally and at the Whitney Museum of American Art and the Museum of Modern Art in New York City as well as at festivals here in the U.S.A. and abroad.

Original Storyboard for "Owen"

Irra has directed and animated children’s films for Scholastic.   On the animation “Owen” (1995) Irra was
background painter and color animator while Sara Jessica Parker narrated the animation.

Irra is a very accomplished storyboard artist.  As a storyboard artist she sketches the stories, so that the scenes in the movies or animations can be visualized.  Here you can get an idea of how she sketches out her storyboards to create her award winning ‘Owen’.

I wasn’t the only one who thought ‘Owen’ was a great animation!  Others thought it was such a talented piece of art that ‘Owen’ won the prestigious Carnegie Medal for Best Children’s Film of the Year and an ASIFA EAST Award!  Those are two biggies

So far Irra has created over one hundred one minute spots for Sesame Street.

Do you recognize any of these animation stills?  Here’s one from the animation titled ‘The Story of Princess Twelvia’ and another one titled ‘Moving’.  From the picture below, where do you think Princess Twelvia is going?  How many steps are there on the staircase?  Hmm…maybe there’s a connection!

Sesame Street's 'Twelvia' Original Production Cel & Background by Irra Verbitsky

Sesame Street's "Moving" Original Production Cel & Background by Irra Verbitsky

The Last Unicorn movie poster

Irra provided the design work on the title sequence well as the story boards for the feature film, ‘The Last Unicorn’.  The animation is an adaptation from the American author Peter S. Beagle’s class tale ‘The Last Unicorn,’ which was written in 1968.

“The unicorn lived in a lilac wood, and she lived all alone. She was very old, though she did not know it, and she was no longer the careless color of sea foam but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea.” – Peter S. Beagle ‘The Last Unicorn’

From that short paragraph of the book’s prose-poetry you can get an idea of how the story is very tender and beautiful.  In the movie the unicorn is told by a butterfly that she is supposedly the last of her kind because all the others have been herded away by the Red Bull.  With that in mind, the unicorn sets out to discover the truth behind the butterfly’s words.  On her quest, the unicorn is eventually accompanied by Schmendrick, a trying magician, and Molly Grue, a woman who has dreamed all her life to see a unicorn. Their journey leads them further and further away from home. They travel so far, all the way to the castle of King Haggard.

Irra Verbitsky shares her talent as an animation teacher at the School of Visual Arts in New York City.  Her excitement for the arts shines through her teaching and encourages her students to be as playful and thoughtful when creating moving pictures!

Flashbacks From My Past: "Departure" by Irra Verbitsky

Scribble Town (ST): From the looks of Chris Reed’s self portrait I think it’s safe to say he’s a very talented illustrator and designer.  Chris, I like your portrait!  Where are you and what are you up to these days?

Portrait of Chris Reed

Chris Reed (CR):  I work from my home studio in New Jersey and I love creating art every single day! I have been a professional Artist for about 25 years so I have had a chance to work on lots of different types of projects.

ST: It’s amazing when you find something you love to do and it just never gets old!  In fact, that’s when it gets more exciting  How old were you when you first started making art and who encouraged you to create?

CR: I was always interested in drawing pictures, and I got lots of encouragement from my family and my teachers. Drawing was always just a hobby until I finally realized that there were actually people whose job it was to design and draw pictures. I wanted to be one of those people, so I moved to New York City and went to art school.

Chris Reed's Illustrative Samples

CR: My advice to kids who like to create art is to find a way make it fun. Make your own comic strip, paint a crazy swirly picture, or create a character for your favorite video game. The more you paint or draw or whatever, the better you will get!

ST: Thank you Chris!  Your passion for art and drawing shine even through your words.  Many smiles have formed from looking at your pictures so I think you are doing what you should be!  I smile every time I look at this sledding penguin Weeeee.

Penguin Sledder by Chris Reed

Scribble Town (ST): From across the Atlantic and all the up North I’d like you to meet Jaanika Peerna!  Jaanika moves with her art and her art moves her.  In any case, I think you will also feel the excitement and energy that her personality shines and her artwork shows.  Thank you Jaanika for taking the time and being with the Scribblers!

Jaanika Peerna (JP): I am an Estonian-born artist living in New York for many years now. I love to draw, make videos and installations that capture the processes in nature that are hard to see at times, whether it be evaporating mist, movement of wind or slowly changing light.

Maelstrom, pigment pencil drawing on mylar, 36x36", 2011 by Jaanika Peerna

ST: What are you up to these days? Please tell us if there is a particular project you are working on.

JP: I have an exciting project at hand right now: I am preparing for a solo exhibition in a very special location : a castle on a hill overlooking the Hudson River in NY state. I have the liberty to make drawings, video and light installations that specially relate to the location of the show. And here I mean the architectural space of the show and the magnificent surroundings of the castle. For example there is a round room in the castle which is going to have a video projection on the curved wall . And therefore the projected video is going to look like embracing the viewer entering the space. Since the castle is higher up on a hill there is plenty of wind moving around the castle and many of my drawings are going to be traces of air movements. There will be a light installation that relates to the light of dawn in the Hudson Valley as well.

Drawing with Ropes - workshop for families with Jaanika Peerna

ST: Wow! A castle on a hill! You will have to let us know when the show will allow visitors. How has your art practice changed over time?  For example, with medium, concept, etc.

JP: My art practice changes and evolves as I do all the time. Although I have always been interested in working with various media at the same time and I still do. I started out as a painter who also photographed. Then I continued mostly drawing and photographing. The next step was to use digital technology to combine my drawings and photos together. Once working in computers video entered into my work since I was interested in viewing processes in nature slowed down or sped up.  For example I would videotape long footages of ice banks moving on Hudson river which is famous for being the river that flows both ways. The two-way movement is hard to see with the naked eye,  but once I had an hour long footage sped up to be a 20 minute video the various movements of ice occurring on the river were easy to follow and wonder about.

About 4 years ago a new medium entered my palette: working with light, which is an amazingly powerful material itself. It literally draws forms and textures out for us to see at every given moment of our lives. So why not to use it as a main material for making art? I have an installation where I use three strong directed lights programmed to dim and brighten very slowly. By brightening each light creates shadows of strips of paper attached the a wall ()

The latest addition is live drawing performances where I collaborate with dancers and musicians where a new drawing is born in front of audience just like here:

Kvelstein Performance by Jaanika Peerna

I am happiest when I can use all different media together in one exhibition. It seems like I have always been interested in subtle and sometimes more rapturous changes in nature but  the media I use to create my work have expanded. Drawing stays at the core of my practice though.

ST: I feel so many different things when I see your artwork.  I wonder what you hope to communicate with your art?

JP: I hope after experiencing my work people would perhaps start looking at nature with more attentiveness and curiosity. I hope to slow down people’s minds and eyes in order to see more and expand ones vision that way. Sometimes it is about the quality of seeing not about the quantity of objects we encounter. Small wonders are around us at every given moment!

ST: Now that I know more about you and your history with art making I’m curious to know about how you found this form for self-expression.  How old were you when you first started making art and who encouraged you to create?

JP: I must have been drawing a lot and with much interest because my parents who are not artists  put me into a special art school from the age of seven. I remember loving the fact that I could create whole worlds by drawing. It seemed so freeing and full of endless possibilities specially in the context of  the Soviet occupation my little country of Estonia was under at the time. Later on when I moved from Estonia to the USA and my English was about 5 % of what it is now, drawing turned out to be one of my survival tools in the new strange country I found myself in. My English could not even get close (and still does not) to expressing what I wanted to say whereas my abstract line drawings seemed to penetrate deep into people’s hearts and minds and cross all political and geographical borders. Once again drawing was freedom and my most innate language for me.

Puff 8 by Jaanika Peerna

ST: Your artwork looks very energetic and active to me.  Can you tell us something about how you get yourself into a creative mindset- where to find that inspiration.  Is there a special place where you like to make your art?

JP: As my work often stems from the processes in nature daily walks and hikes outdoors bring a lot of energy into my work. While outdoors I gather impressions, take photos and videos,  dance with the winds and can watch for light shifting on waterfront for hours. Once in my studio many of those experiences and recordings work into my art. Before I start working on a drawing I often sit in silence for a while as of letting the winds that moved me outdoors to come upon me and then later on move my pencils around on the paper. I almost become a medium for creating the work rather than being fully in charge what the work will end up looking.

ST: Jaanika has shared an art project with Scribble Town called ‘Drawn by Wind’. Please go to  http://www.scribbleshop.com/content/jaanika-peernas-drawn-wind-art-activity.

JP: Keep the element of PLAY in your projects. Play means keeping your activity open ended, experimental and fun for as long as you can. Sure, at some point there is a need to close in and focus yourself in executing a chosen path but until then keep in flowing in unknowing…  There are too many tasks and activities in our lives that are linear and geared towards a specific goal anyway. So take the chance to play whenever possible!

You can see more of my work at my website at www.jaanikapeerna.net and follow my newest projects at 

ST: Thank you Jaanika for all the inspiration you have given us!

Hi Scribblers!

Remember our recipe for the Macaroon Monsters?

Check out this new macaroon recipe by Whilldtkwriter’s blog! She used our recipe but switched it up a bit with a waste-not tip! Instead of using egg whites, she substituted the eggs for meringue powder mix. Her finished cookies look tasty!

You can her macaroon recipe with meringue mix and vanilla extract ingredients found on Scribbleshop.com!