It always seemed like the official party line at mealtime was, “Don’t play with your food!” Well, the times, they are a-changing… A creative movement sweeping across kitchens and social media everywhere lately is food art. By transforming ordinary dishes into extraordinary pictures, many cooks, parents, and artists have been turning each meal into a cultural experience.

 

With all the beautiful colors and textures found in different kinds of food, it seems quite natural to turn them into art. This makes food preparation an even more creative experience, plus meals become that much more fun to eat!  Bonus: it’s a great way to excite little ones about eating more healthy foods, like fruits and veggies. When the broccoli florets are forming the treetops in a magical forest, it’s a lot tougher to reject them!

 

You don’t have to be an expert chef to compose clever dishes. Just have fun seeing what picture you can create with what ingredients you have.  It’s more assembly than anything else. You’ll be amazed at what you come up with!

 

 

Photo via Samantha Lee, Eatzy Bitzy

 

Photo by Idafrosk (Instagram), via Handmade Charlotte

 

Photo by bambini_pucillo (Instagram) via POPSUGAR moms

The gorgeous final products prove that you can be creative just about anywhere. Let the refrigerator be your palette and the plate your canvas!

 

Have you given food art a try? Would you? Show us your creations!

 

Scribble Town (ST): Stories come alive in your imagination when you look at the paintings of Xavi Carbonell, an artist from Spain.  Let’s meet Xavi and learn how he creates these beautiful story builders!

Xavi Carbonell (XC): Hi my name is Xavi Carbonell, I am 42 years old, live in Alcoi, Spain with my wife and two daughters.  I am a full time artist. have exhibited in various countries in Europe, Africa and the United States and my work is in many international collections.   I am often described as an Abstract Expressionist, and infantile painter.  Infantile is a genre not well known in the US, but it means my work reminds the viewer of a child’s work, but remember making something look simple is usually the most complicated task!

ST: Where are you and what are you up to these days?

XC: I am currently in New York City, painting and preparing for an art fair with my gallerist later this summer.

ST: That’s exciting!  Your days are spent with filling canvases with color.  Sounds like a wonderful summer, but I’m sure it’s quite a lot of work too.  When did you start painting?

XC: I started painting when I was 20 and was inspired after seeing works by the Spanish Artist, Antonio Saura in a museum exhibition.  At that moment I realized I wanted to paint and create my own path.

ST: It’s pretty remarkable how those unforeseen moments in life realize the paths we take.  Similar to you stumbling upon Antonio Saura, is there a way that you run into inspiration?  Where do you find your spirit to create?

XC: I am most inspired to create in NYC, the city has such a powerful energy.  The process of creativity is difficult to describe, but I find it’s often a result of new experiences, travel, meeting new people, but at the same time when I am in front of a blank canvas it just guides me.

ST: Since your paintings are so narrative for me- I start to hear a soundtrack that goes along with the picture.  Do you ever listen to music when you paint?

XC: There was a period when I exclusively listened to classical music, then it was Jazz, and lately I don’t listen to much music while painting.

ST: Your paintings are so vibrant and strong from your choice of shapes and colors that I make up my own story when I see them.  My imagination just takes off!  Is there a story you are building in your head as you paint?  Is that why you title your pieces Untitled- as to keep the mystery and openness available for all viewers?

XC: Yes, there’s a story in my head and that’s exactly why all my pieces are untitled.  If I use a title, the viewer is pre-conditioned to see something.  I prefer the viewer to create their own story, as I think that’s more fun and I want each person to see what they want to see in my work.

ST: It’d be interesting if you had a book next to your paintings and you could have the viewer write down the story that comes to mind when they see your paintings.  You’ll get loads of different responses!  That leads me to other mediums- what are some other forms of art you practice? Do you ever mix other mediums with your oil pastels?

XC: I have worked in the performance genre, and I love to cook which is a creative outlet.  My concept of mixed media is based on oils but I also include, magic markers, chalk, colored pencils, oil sticks and charcoal.

ST: Painter Joel Garten mentioned to me that you had once said your work is influenced by childrens art.  I am interested to know more about his comment.

XC: I am very inspired by the imagination of children and how they execute the concept on paper.  I am always fascinated by how you can have a conversation with a child on paper with out actually using words.  The innocence of children is the most exciting as adults unfortunately rarely preserve that quality.  It’s something most of us sadly just lose along the way.

Kids, never lose your innocence.  Adults, if you feel like you have lost it, try hard to find it in yourself as it’s the best part of each of us.

ST: With that said let’s try Xavi’s drawing exercise.

XC: One exercise is to draw with your eyes closed.  For instance draw a landscape from memory, but remember to keep your eyes closed!  You’ll be amazed with what you can create.

ST: Scribblers, send in your drawings to and we can post them on the Scribble Blog.  Thanks Xavi for sharing so much with us!  To see more of Xavi’s work you can go to http://www.artangler.com/Carbonell.html.

Now that it’s officially summer, you probably have plans to take your kids to the beach.  No need to take an extra bag with art supplies. With objects found on the beach and a little imagination your kids will have a fun day filled with creative inspiration from mother nature.

Your little Scribblers can create sculptures crafted with with stones, sand and seaweed and all kids of things that wash up from the ocean.

Here are some things to think about before creating your beach master piece.

Relax and take a good look around.

Take in the color, smells and textures of the air, water and sand.

Let the ocean speak to you then decide what you would like to create.

Select some objects and materials that you would like to use to make your art….sand, stones, seaweed, etc.

Get creative, draw designs in the sand by swirling the sand with a stick or your hand. 

Play with patterns, and textures.  You may want to use sea shells to create patterns in the sand or use a stick  to carve lines.

Take a look at this Sandy Lion – amazingly this sculpture is created completely from sand and seaweed! 

I love this Rock Man.  How fun!  Some seaweed and rocks and there you have it!

Art in the sand can be created by using a rake, a stick, objects that wash up from the ocean.Think about the wonderful patterns that can be created when you use the sand as your canvas.

Try making art the next time you go to the beach and let us see what you and your kids come up with.

Please send us photos.  We’d love to share your creativity and inspiration with our readers!!!

Happy Scribbling!

Scribble Town (ST): Here with us on the Scribble Blog is Doris Sampson!  Doris is an artist full of energy, stories, creativity, and much much more as you will soon find out.  Doris, where are you and what are you up to these days?

Doris Sampson (DS): I live in Duluth, Minnesota . . . U.S.A.  This city is located at the western-most tip of Lake Superior, the largest of the Great Lakes.  It’s awesome!  Like living on the shore of an ocean, from our shore we cannot see land on the eastern horizon.  Weather events can rile up some terrible storms, occasionally over even modern decades taking a freighter to the bottom of any one of the Great Lakes.  The Big Lake is also our natural air conditioner.  Because the temperature of the lake is always much cooler than the air, when we get a wind off the lake, Duluth can be significantly cooler as we’re situated in the valley of a big hill alongside the shore.  Over the hill, much warmer!  I like it this way because I’m no fan of hot weather!

DS: My career as an Artist spans 48 years, and I started Photography shortly after that, too.  I’ve put tons of time and money into taking pictures, and since starting digital in 2002, in total over all my years, have tens and tens of thousands of pictures.  Therefore, big chunks of time have gone into organizing those photos and since digital can fix OLD photos, in recent years lots of time has gone into restoring many, many photos from family albums covering  my Finnish-American family heritage and history.  I eventually will produce books about my personal memoir and probable historic photo books.  I’ve also been a writer, starting with journaling at the end of 1977.  I absolutely love writing, and my computer storage now contains working manuscripts for at least a dozen book concepts, with other ideas piling up behind those.  But I need to update my computer equipment soon so I can better format manuscripts, and art/photos into them, too, to prepare them for electronic self-publishing.  I love that option we have now!

ST: When did you start drawing and painting?

DS: As a child I was already a natural artist.  I believe it was genetic as I’m 100% Finnish lineage–and the Finns are genetically extremely artistic.  I loved doing art as a child, all the way through school to graduation.  Because my family was farmer-laborer, I didn’t go to college for higher education–but was smart enough to have done that if there had been money.  Instead, I never sat back on the learning process as a young adult–in any subject.  But rather quickly did return to art . . . painting . . . about 5 years after graduation.  I had two pre-school daughters by then, and began painting on the kitchen table–of course, needing to clean up scrupulously after each session!  Especially because I’d started with oil paints–eventually switching to acrylics to avoid the fumes and possible other contact-toxins from handling oil paints.  Especially Flake White, which has lead.

ST: Was there somebody that encouraged you?

DS: Yes, there was someone who inspired me as an artist starting from a very young age.  Actually, my mother had painted as a teenager with a friend whose name was Marion.  So it was seeing as a child craft pieces my mother had made so many years before by gluing fall leaves on the then-78rpm records.   And then painting the leaves yellows, oranges, reds.  There were three paintings my mother had done that still exist to today.  So those were always on display in my grandparents’ farmhouse in Northern Minnesota.  My father had also been artistic, and had begun art school when they lived in Detroit–I was born in a suburb, Ferndale, at that time.  But he was drafted into World War II and had to quit art school.  Only one drawing my dad did, of the violin maker, Stradevarius, existed then, and to date.  It’s framed and hanging on a wall in my sister’s apartment here in Duluth.  Neither of my parents  were able to follow art as adults.  My mom was a homemaker and my dad a laborer.  Thank God he returned home from the war with just some back problems from a glider crash.  He was in the Battle of the Bulge in the 101st Airborne Division–a terrible event during WWII.

Marion, as Mom’s girlhood friend since kindergarten (or maybe it was first grade then–did they have kindergarten so very long ago?) . . . was still her friend as I was growing up, and we’d visit her home in that rural area near my grandparents’ farm on occasion.  Marion had taken up painting during her adult  years, but did extremely few in total that I know of.  One was a stunning portrait of a sister who had passed away, painted ethereally in blues, like the sky, her imagery as of angels.  Riveting to me!  Then, I believe this was after I was an adult with a toddler, as I recall one specific visit with my mom to Marion’s, with my daughter; she showed us another painting more recently done . . . a Moose in a Northern Minnesota swamp, edged with the typical swamp spruce and tamarac forest–a beautiful fall scene that I can see in my mind’s eye still.  Marion was so special to me and I just soaked up her artist-ness into my soul!

My family was always supportive of my love of art and Nature as a child.  I would do Paint-by-Number sets, and, again, I loved art in school.  I would save my artworks and when several aunts and uncles came visiting from Detroit and Florida to Minnesota in the summers, I’d bring out those drawings and paintings to put on an ‘exhibit’ . . . and they’d give me a dollar!  Guess what . . . I still have my best, saved artwork from the first dated to when I was 11 years old, through the 7th, 8th and 9th grades of junior high school!  They can be seen on my website:  dorissampson-lenscanvas.smugmug.com !  For so long I’ve wanted to be an inspiration to children, and here is my first opportunity!

ST: I bet you have been an inspiration to children even when you didn’t mean to be one.  I’m impressed with you range of techniques! You even have collage and modeling pasted paintings.  How did you discover and use this technique?

DS: I don’t remember right now what started the collage/modeling paste paintings.  Since I’ve kept good records throughout my art career, it’s probably written down somewhere for me to find when I can start digging.  But they were fun to do, using materials to build a foundation for a painting; then gessoing that ground (a primer layer); finally painting everything.  Then, give it a wash of diluted burnt umber (brown) acrylic paint mixed in a lot of water and quickly wipe it off again with a soft rag–before it could dry.  Then only a little bit of pigment would remain on the surface of the painting to provide a slight antiquey appearance to it.

ST: How do you handle moments when you get a zoom of inspiration?

DS: Since I do Art, Photography AND Writing, inspiration is more or less a constant on-going thing of which I can never keep up; as much as I would like to.  So Art ideas get noted on paper, some started; Photos are a never ending job in my computer now; and my external hard drive is exploding with accumulated Writing projects, or notes and notes and more notes for those underway, and new project ideas.  What I work on from day to day has no schedule–except to plow into whatever project/s are staring me in the face . . . NOW.

ST: What other forms of art do you practice?  What are some tools you like to use to create?

DS: Art, Photgraphy and Writing take up all my work time creativeness.  However, I am a ballroom dancer, and good at it.  Genetic I’m sure as both my parents loved to dance and were great dancers in their early years.  Raising a family, I only saw them dance about three times that I can remember.  I sure wish I could see a movie of the years I was never a conscious part of!  Dance  is a wonderful, beautiful and happy form of Art!

ST: How do you find you models for your pen and ink drawings? There must be hundreds of beautiful portraits!

DS: A couple of the people and pet pen and ink drawings you see are ones I did because I wanted to do them for myself.  The rest are commissions from folks who saw my first portrait promotions starting around 2002.  What you see in my website are what I’ve done.  There might be another couple or so not shown, but I can’t remember at this writing.

ST: I’m sure there must be many, but what is one of your favorite songs?

DS: It’s probably better to ask what are my favorite genres of music.  I love Finnish music that depicts my era of growing up–accordian and fiddle bands.  There are two in particular I have tapes or CD’s of; Minnesota bands, “Third Generation” and “The Finn Hall Band”.  Next, whenever I have an opportunity to work in my office AND listen to music at the same time, I’ll put on internet radio with Pandora.com . . . and I’m already keyed in to Classic Country-Bluegrass Gospel songs by historic Nashville voices from yesteryear to current singers who still have the same classic sound.  On Sunday mornings, we have a local radio station, WKLK, that also plays those old gospel songs.  I absolutely love them, and they are my inner Church every time I listen to them; filling me with the Spirit of God!

I also enjoy classical music on occasion; and my everyday favorite genre is the current “Music of Your Life” station that is streamed via many radio stations across America.  Those songs truly depict the best pop songs I’ve heard over my 70 years of lifetime!  So it would be more correct to speak of favorites in each genre–but that would be too big a project to do!

ST: Your art career has taken you on such a journey!

DS: I started my Scribble Drawings, which I now call my “Human Emotional & Thematic Caricatures . . . or Just Pure Art Form”, when I was taking drawing classes at a local university in 1985.

University art classes were already far into the “modern” thing . . . be loose, let your mind wander, and finally . . . just scribble and see what happens.  Well, I absolutely LOVED what I did with scribbles, learning immediately that the most important thing to remember is . . . WHEN TO QUIT!  My personal take on it was to use quality pen and ink, and then take a good look at the scribbles to see if or what there was anything recognizable in the shapes.  If so, then I’d start filling in space with my black ink to bring out that ‘something’ . . . or ‘someone’, if it had an abstract human element to it.  Other times the shapes and forms depicted only abstract shapes and forms!  So then I filled spaces in while keeping COMPOSITION in mind; to create Pure Art Form.

I did a large number of them around 1985, and it was the year 2000 when I took it up again.  I was working on a book of poems about the subject of “Love” as a “mystery”.  I wanted to illustrate the book and it occurred to me those 1985 drawings could be termed mysterious.  When I checked them out, I discovered that many of my poems actually matched what some of the drawings seemed to be displaying.  So I included them into my manuscript, and started doing the scribble drawings again here and there until now.  I have about 250 of them now!  These can be seen on my website also:  dorissampson-lenscanvas.smugmug.com.  Find this gallery under ART OF DORIS SAMPSON.

ST: Doris, thank you so much for sharing with us! You have shown us how to look at life, lines, and color in a different way with your creative scribbles!  If you have any tips for parents and adults for how to create with children please let us know.

DS: As for tips for parents, EVERY CHILD IS AN ARTIST!  Provide the materials for them, and they will draw and/or paint.  Display the Artworks.  Choose the best from every year’s work and place these into an archival album–learn HOW to preserve art and photos archivally, don’t just glue or tape them in.  There are album stores all over the country now.  There is one online source I’ve been able to get oversize albums from in which to store my Scribble Drawings.  It used to be called Century Plastics . . . don’t know if that’s a current name or not.  These albums were acid-free, as I recall, with 12×18 pages of sturdy paper.  A perfect ground for archiving your children’s artworks.  The best of the best artwork/s–mat and frame them!  I have some from my daughters.  Once, when her dad and I went to a conference night, there were pastel painting pictures hanging all around the room–one by each child in that class.  My eyes flew to one in particular that clearly shouted, “This child IS an Artist inside already!”  It was so good compositionally, and with colors, lines, shapes and forms!  Well . . . it was my daughter’s . . . a chip off the old block, going all the way back to both of her grandparents’ generation, too!

This daughter is now an assistant professor in the Art Department of a University in the State of Missouri!  My other daughter is a Certified Public Accountant; and far on her way, too, of becoming a Nutritionist . . . already, via the internet, she is teaching people how to live and eat NATURALLY.  That was something else our family did–we gardened organically, I canned and froze vegetables and fruits; and by golly, both grew up to follow in those footsteps.  The Artist of my two daughters, and her husband, own an organic farm and apple orchard in Missouri!

ST: You are right, Doris, every child is an artist.  Thank you

Try these two Scribble Inspirations from Doris Sampson:
‘Yellow roses for my birthday’ and ‘Collage painting art project’

All photos: Copyright Doris Sampson 2013.  Permission for free educational use for children granted.  All Artist Reproduction-Distribution Rights Reserved. Contact Information:  “.  Feedback to Artist is welcome!”

Scribble Town (ST): Pedro Mena, a person of multiple trades and interests, is here with us in Scribble Town!  Pedro is an artist, teacher and a first time dad. He likes NY Pizza, Spanish Soccer, and the History of Rock and Roll!  Pedro, where are you and what are you up to these days?

Pedro Mena (PM): San Francisco Bay Area. Off on Paternity Leave! Returning to teaching visual art shortly. Donated a piece for the upcoming annual HAPS (Haight Ashbury Psychological Services) Art Auction Benefit.

ST: Congratulations on your new baby! Having a new family member will put a special spin on things How has your art practice changed over time and does being an art teacher (and for the future- being a father) have an effect on your own art practice?  Please let us know what ages and where you teach.

PM: It has become more specific in addressing necessity. Yes! It has allowed for more patience and flexibility – and a new outlook on seeking and bridging ideas. Middle School, Burke’s, SF.

ST: From the looks of your classroom you definitely encourage all kinds of artistic practice- from visual to musical!  What do you hope to communicate with your art and with your teaching?  Are there any other artistic mediums you work with to help push your idea along?

PM: Excitement and Engagement. Anything and everything! Music, technology, storytelling…

ST: How old were you when you first started making art and who encouraged you to create?

PM: I remember the first time getting recognized for my drawing – it was in 1st grade. A classmate asked for a drawing of Spider-Man after seeing mine. I won 3rd place in a community coloring contest later that year. I bought a toy robot of Twiki from the Buck Rogers series with the $10 toy store gift certificate prize. My family encouraged me. I was surrounded with the paintings, drawings, and prints of my grandfather growing up. He encouraged me as well. 

ST: Who are some of your favorite artists and/or authors?

PM: My grandfather, Bolivar Mena Franco, El Greco, Andrea del Castagno, Velasquez, Max Ernst, Rothko, Forrest Bess, Philip Guston,Jack Kirby, Wes Wilson, ’80s Ashley Bickerton, Jonathan Lasker, Steve Dibenedetto (college professor), Lady Pink, Nate 1…too many to name! They’ve all brought static works to life. As for writers, Peter Guralnick can sure bring a biography to life.

ST: I can see how your favorite artists have inspired you.  Your students are very lucky to have such an enthusiastic and caring teacher.  Thank you for sharing with Scribble Town and keep us posted on your upcoming auction and other benefit programs!

To read more about Pedro Meno’s tips on how to make Sticker Art please go to:
http://www.scribbleshop.com/content/sticker-art-pedro-mena 

When you’re in the mood to paint, what tool do you like to paint with?

 

Odds are you first thought of a paintbrush. I did, too. It’s certainly the easiest.

 

But sometimes a great way to stretch your imagination is to use other utensils, unlikely ones even, to get the paint on the paper (or canvas or cardboard).

 

Here’s a fun challenge for your next painting session: collect a whole bunch of household items (things you can get paint on, obviously) and make them your new set of brushes for the day.

 

Try things like: bubble wrap, Q-tips, yarn, plastic or old silverware, paper towel rolls, cotton balls, tin foil or saran wrap, and anything else you can think of!

 

Then have some fun! The freedom of working with tools that you can’t control as perfectly will result in wonderful, lively, imperfect designs. Enjoy the process of creating. See the different textures you can make. Try layering a little. See what happens!

 

But make sure you lay out some tarp or newspaper because there’s a good chance things could get a little messy. That’s part of the fun though, right?

Photo: Casa Maria’s Creative Learning Zone

Photo: Alisa Burke

Photo: Make and Takes

Happy New Years everybody! Did you make any resolutions for 2013? I’m not one to make a ton of resolutions, but I do think the beginning of a new year is a great built-in checkpoint in life—a time to ask, “Am I happy?” “Am I living the life I want?” “What can I do to make it better?” For me, I’m usually looking for more ways I can incorporate creativity into my everyday schedule. Below are some ideas to lead a more creative and artistic life this year. They don’t have to be concrete resolutions, but rather some fun goals or guidelines to give a try!

1. Scribble something every day… a doodle, a whole picture, a silly note… anything! This ensures time for a little creativity in your daily routine.

2. Keep an art journal. This could take the place of your daily scribble session.

3. Try a new medium you’ve never worked in before. Always wanted to try pastels or watercolors? Now’s the time!

4. Organize your arts and crafts area. Clear out any dried up or empty markers and containers, separate your supplies into categories… perhaps put them in bins or baskets. This helps keep your space clean and makes it easier to find things.

5. Try to use what you already have. Instead of accumulating tons of half-empty containers of glitter or glue and just buying new ones, see if you can find a way or create a project to use up any leftover craft supplies.

6. Try creating something out of only recycled materials—newspapers, cardboard, cans, bottles, etc.

7. Sign up for an art class in something you’ve wanted to try. Perhaps pottery, oil painting, sewing, or figure drawing. It’s always a good time to learn something new!

8. Instead of buying something for your room or house… see if you can DIY it first! Is your dresser looking shabby or you want a different color? Repaint it!

9. Once a week, take a little time to learn about a new artist. It can even be just a few minutes. Go on the internet or grab a book and learn a bit about the work of someone who interests you. It’ll really add up!

10. See more art! Every so often, go to a museum, local gallery, or crafts fair. It’s great for inspiration.

Are you going to try any of these this year? Do you have your own fun goals for a more creative 2013? Please share them here!

And from the whole Scribble team, we wish you a happy, healthy, and creative new year!

Amani and Mario Natescapes with Nate Williams!

Here’s what Nate said about the artistic collabo collage experience:

Amani looked at the collage “Liquidraw Paintscape #3″ and thought it would be a great place to create a narrative with the game character Mario. Amani describes her collage “Amani and Mario’s Natescape” as an adventure story of Mario, Luigi, and a band of polychromatic toad friends, on a heroic jourey through a Natescape; seeking to rescue Princess Peach. Princess Peach is Mario’s best friend and one true love.

Amani has recently renewed her appreciation of Mario, by playing real life re-enactments of Mario games with her mother, Rachel, sister, Mariah, and new friends Mike and Michael. I love Amani’s collage re-mix! She is a true scribble artist, collage adventurer, and visual DJ. Looking forward to seeing more collaged adventures.

Make your own Natescape by having a look at http://nate-art.com/#/gallery.  Choose a collage and let yourself go with the flow.  Thanks Nate for sharing with Scribble Blog!

Thanksgiving was great this year (as always)!  Loads of family, friends, food, laughter and then double gobble more of it!  The next day my family and I all went for a stroll through the park to digest our feast and we found all these fallen leaves on the ground.  I thought the branches would’ve been bare by now, but no, not yet!  We got lucky.  The fallen leaves looked like feathers to me so we had an idea to make them into Turkeys!

We glued on some googley eyes to make them extra silly, but I’m sure you can come up with something just as good without them. Oh, maybe a nut fallen from the tree?  What do you think?

I know Halloween just passed, but since I was on this kick of transforming fallen objects into artwork when I saw the stick I thought of a broom.  Put a flying lady on it and you have a witch!  What do you think a stick could turn into?  Anything is possible!  Please share with Scribble Blog your fallen object creations.

Thank you Thanksgiving for the fun, family, and more crafty ideas : )  Gobble.