Scribble Town (ST): Just like this picture of an alien astronomer, Marianne Murphy is an artist who is a seeker of all sorts and finds a way to communicate with you…even with creatures from outer space.  Creative to the bone, Marianne let’s us know what she’s done and where she wants to go.  3 2 1 blast off!

Marianne Murphy (MM): My name is Marianne Murphy, I’m 21 years old, I was born in Maryland and attend the University of the Arts in Philadelphia, where I’m studying animation. I also have a lot of experience with filmmaking, puppetry, and graphic design. I hope to work in children’s media when I graduate and to someday design and write children’s books, television shows, and games to promote education, literacy, creativity, and self esteem.

ST: You are off to an amazing start!  Your goals and your vision are so clear.  I’m excited to see what paths will unfold before you, but for now where are you and what are you up to these days?  That is, besides you making these great folded paper animations such as your “Penguin Journey” 2013.

MM: I’m currently in Philadelphia, sequestering myself in my apartment to finish a film I’m working on for a puppetry festival in my hometown, Bethesda MD (Puppets Take Strathmore). It’s about the ideas of nostalgia and memory, and it combines a lot of cool puppetry and digital animation techniques. I’m also working on putting together some curriculums for Creative Writing and Cartooning camps for children ages 8-12, and will be leading them as a counselor in early August, which should be really fun. I love inspiring children to be creative and I can’t wait to see what they come up with during those weeks!

ST: Puppets Take Strathmore looks like such a fun event!  I can’t wait to see your film.  When did this creative bug start buzzing around in your body?

MM: I’ve been drawing for my entire life and my parents and teachers have always encouraged me. I started making films when I was in elementary school with my mom’s video camera, and I taught myself how to use editing software. At that point I was just making short videos with my friends, but in middle school I started making puppet films and having my puppets lip sync to popular songs. This interest in puppetry went on all the way up to high school, and I briefly attended the University of Connecticut to study puppetry. I realized there, however, that my interests had expanded to include illustration, writing, drawing and graphic design and I transferred to my current school to combine all of these interests into a new major: animation!

ST: New interests always come about in interested people and I think you definitely fit the bill .  I wonder, where do you find yourself feeling inspired to create?

MM: I’m very inspired to create by children’s books and television. I love seeing how shows and books are creatively using new technologies and art forms to inspire children. I also notice a lot of shows these days are focusing less on education/creativity and more on marketing products, and these kinds of shows inspire me to create art that can help children learn real, important lessons about life. Artists who believe in teaching children these lessons, such as Jim Henson, Fred Rogers, Judy Blume, and Lemony Snicket, are very inspiring for me.

ST: You mention artists from a range of mediums and genres.  I take it that you are a fan of everything art.  What other forms of art do you practice and what are your favorite tools you use to create?

MM: I practice a lot of filmmaking, editing, puppetry, and figure drawing. I also play piano and drums and love to create soundtracks for film projects. I love working digitally with a Wacom tablet and pen, and I love working in my sketchbook with mechanical pencils.

ST: Get ready for a hard question- who is your favorite artist?  Sometimes this gravitation towards a piece of art comes out of nowhere, but why do you think you connect with their artwork?

MM: My favorite artist is children’s book illustrator Lane Smith. He worked on books such as “The Stinky Cheese Man and other Fairly Stupid Tales” and “Math Curse” with Jon Scieszka, which were my favorites growing up, and he most recently wrote and illustrated “Abe Lincoln’s Dream”. I love his drawing style and his use of collage and different mediums to create wonderful, haunting works of art. Each of his books feel like an awesome, magical world to me. I also love the work of children’s book illustrator Jon Klassen (This Is Not My Hat) and children’s book writers Mac Barnett (Chloe and the Lion) and Joanna Cole (Magic School Bus) for their extremely innovative designs and ideas.

ST: From an artist who has already explored and created so much and is on a mission to encourage young artists, do you have any tips, advice, or ways of encouraging our scribblers?

MM: In my experience, all children are creative, and drawing is an amazing activity. I recently taught a camp with 6-8 year olds, and whenever a child had a problem or a troubling anxiety, I asked them to draw their feelings or what they wish would happen. The creativity helped them express themselves and deal with their emotions! Also, I’ve noticed that children are really interested in a lot of popular television shows and characters and love to talk about them. The excitement for these shows can easily be transferred into creativity. Inviting children to create their own stories, comics, drawings, props, costumes, or games about their interests is always a good idea!

ST: Marianne has shared a great Quick Scribble Activity with us on the Scribble Shop.  Try it out for yourself! http://www.scribbleshop.com/content/quick-scribbling-marianne-murphy  Thanks Marianne for sharing so much with us!

We will say, “see you later!” with Marianne’s winning Best Sophomore Object Animation at UARTS 2013 titled “Numbers”.

Scribble Town (ST): Stories come alive in your imagination when you look at the paintings of Xavi Carbonell, an artist from Spain.  Let’s meet Xavi and learn how he creates these beautiful story builders!

Xavi Carbonell (XC): Hi my name is Xavi Carbonell, I am 42 years old, live in Alcoi, Spain with my wife and two daughters.  I am a full time artist. have exhibited in various countries in Europe, Africa and the United States and my work is in many international collections.   I am often described as an Abstract Expressionist, and infantile painter.  Infantile is a genre not well known in the US, but it means my work reminds the viewer of a child’s work, but remember making something look simple is usually the most complicated task!

ST: Where are you and what are you up to these days?

XC: I am currently in New York City, painting and preparing for an art fair with my gallerist later this summer.

ST: That’s exciting!  Your days are spent with filling canvases with color.  Sounds like a wonderful summer, but I’m sure it’s quite a lot of work too.  When did you start painting?

XC: I started painting when I was 20 and was inspired after seeing works by the Spanish Artist, Antonio Saura in a museum exhibition.  At that moment I realized I wanted to paint and create my own path.

ST: It’s pretty remarkable how those unforeseen moments in life realize the paths we take.  Similar to you stumbling upon Antonio Saura, is there a way that you run into inspiration?  Where do you find your spirit to create?

XC: I am most inspired to create in NYC, the city has such a powerful energy.  The process of creativity is difficult to describe, but I find it’s often a result of new experiences, travel, meeting new people, but at the same time when I am in front of a blank canvas it just guides me.

ST: Since your paintings are so narrative for me- I start to hear a soundtrack that goes along with the picture.  Do you ever listen to music when you paint?

XC: There was a period when I exclusively listened to classical music, then it was Jazz, and lately I don’t listen to much music while painting.

ST: Your paintings are so vibrant and strong from your choice of shapes and colors that I make up my own story when I see them.  My imagination just takes off!  Is there a story you are building in your head as you paint?  Is that why you title your pieces Untitled- as to keep the mystery and openness available for all viewers?

XC: Yes, there’s a story in my head and that’s exactly why all my pieces are untitled.  If I use a title, the viewer is pre-conditioned to see something.  I prefer the viewer to create their own story, as I think that’s more fun and I want each person to see what they want to see in my work.

ST: It’d be interesting if you had a book next to your paintings and you could have the viewer write down the story that comes to mind when they see your paintings.  You’ll get loads of different responses!  That leads me to other mediums- what are some other forms of art you practice? Do you ever mix other mediums with your oil pastels?

XC: I have worked in the performance genre, and I love to cook which is a creative outlet.  My concept of mixed media is based on oils but I also include, magic markers, chalk, colored pencils, oil sticks and charcoal.

ST: Painter Joel Garten mentioned to me that you had once said your work is influenced by childrens art.  I am interested to know more about his comment.

XC: I am very inspired by the imagination of children and how they execute the concept on paper.  I am always fascinated by how you can have a conversation with a child on paper with out actually using words.  The innocence of children is the most exciting as adults unfortunately rarely preserve that quality.  It’s something most of us sadly just lose along the way.

Kids, never lose your innocence.  Adults, if you feel like you have lost it, try hard to find it in yourself as it’s the best part of each of us.

ST: With that said let’s try Xavi’s drawing exercise.

XC: One exercise is to draw with your eyes closed.  For instance draw a landscape from memory, but remember to keep your eyes closed!  You’ll be amazed with what you can create.

ST: Scribblers, send in your drawings to and we can post them on the Scribble Blog.  Thanks Xavi for sharing so much with us!  To see more of Xavi’s work you can go to http://www.artangler.com/Carbonell.html.

Now that it’s officially summer, you probably have plans to take your kids to the beach.  No need to take an extra bag with art supplies. With objects found on the beach and a little imagination your kids will have a fun day filled with creative inspiration from mother nature.

Your little Scribblers can create sculptures crafted with with stones, sand and seaweed and all kids of things that wash up from the ocean.

Here are some things to think about before creating your beach master piece.

Relax and take a good look around.

Take in the color, smells and textures of the air, water and sand.

Let the ocean speak to you then decide what you would like to create.

Select some objects and materials that you would like to use to make your art….sand, stones, seaweed, etc.

Get creative, draw designs in the sand by swirling the sand with a stick or your hand. 

Play with patterns, and textures.  You may want to use sea shells to create patterns in the sand or use a stick  to carve lines.

Take a look at this Sandy Lion – amazingly this sculpture is created completely from sand and seaweed! 

I love this Rock Man.  How fun!  Some seaweed and rocks and there you have it!

Art in the sand can be created by using a rake, a stick, objects that wash up from the ocean.Think about the wonderful patterns that can be created when you use the sand as your canvas.

Try making art the next time you go to the beach and let us see what you and your kids come up with.

Please send us photos.  We’d love to share your creativity and inspiration with our readers!!!

Happy Scribbling!

Scribble Town (ST): Yulia is everywhere!  We first discovered her while flipping through an Oprah magazine and then saw her work featured in Material World: The Modern Craft Bible.  Yulia is an expert paper artist and is generous to share her tips!  Where are you and what are you up to these days?

Yulia Brodskaya (YB): I live close to London, very busy with my paper art and two little kids.

ST: I have never seen anything like your art.  How would you define your work?  It seems to be a peaceful combination of craft and fine art.

YB: I just call them paper artworks; but I don’t normally try to put any labels such as craft or fine art or even focusing on the term ‘quilling’ too much. I use a combination of paper manipulation techniques to create my paper artworks.

ST: How did you discover this artistic process of creating paper artworks?  Was there somebody that encouraged you?  With your two kids perhaps they help with the playful aspect of your images!  Your birds and butterflies look like they will just fly away.

YB: I always had a special fascination for paper, I’ve tried many different methods and techniques of working with paper, for instance Origami, paper collages, however Quilling technique turned out to be ‘the one’ for me. I started to use it about five years ago: I was planning to create a small brochure with my hand-drawn illustrations to be sent out to potential clients and I was looking for an eye-catching image with my name ‘Yulia’ for the cover. I created a number of hand-drawn variants, but I didn’t like any of them and then I remembered an image from some school book showing a paper strips standing on edge, so tried to make the letters using this technique and apparently the attempt was successful; over the next couple months I switched to paper illustration completely.

ST: Through playing and dabbling we just stumble upon what we didn’t expect! Where do you find yourself feeling really inspired to create?

YB: In my little studio.

ST: How do you manipulate your paper? What is the process?

YB: I use cocktail straw and little cocktail sticks for rolling the paper strips (I didn’t know that there are specially designed tools available when I taught myself to shape the paper strips, I started to use the cocktail straw and I still use it now). Also, scissors, twisters for little details, glue and of course paper paper paper. For the process the best thing will be to search for some basic youtube lessons.

ST: Yup, anything can be a helpful tool especially when you know what your aim is.  Cocktail straws do the trick!  Yulia, any tips for our scribblers out there?

YB: Just have fun with it; it will be a pleasure if you enjoy it. The process is very slow and time-consuming so if you are not enjoying it the whole experience can be a plain torture.  I have a fish pattern that I designed for my workshop in Shanghai, it is very simple, people can use it as a basis for the quilling experiments.

ST: Thanks Yulia!  I’m going to give it a try!

Scribble Town (ST): Here with us on the Scribble Blog is Doris Sampson!  Doris is an artist full of energy, stories, creativity, and much much more as you will soon find out.  Doris, where are you and what are you up to these days?

Doris Sampson (DS): I live in Duluth, Minnesota . . . U.S.A.  This city is located at the western-most tip of Lake Superior, the largest of the Great Lakes.  It’s awesome!  Like living on the shore of an ocean, from our shore we cannot see land on the eastern horizon.  Weather events can rile up some terrible storms, occasionally over even modern decades taking a freighter to the bottom of any one of the Great Lakes.  The Big Lake is also our natural air conditioner.  Because the temperature of the lake is always much cooler than the air, when we get a wind off the lake, Duluth can be significantly cooler as we’re situated in the valley of a big hill alongside the shore.  Over the hill, much warmer!  I like it this way because I’m no fan of hot weather!

DS: My career as an Artist spans 48 years, and I started Photography shortly after that, too.  I’ve put tons of time and money into taking pictures, and since starting digital in 2002, in total over all my years, have tens and tens of thousands of pictures.  Therefore, big chunks of time have gone into organizing those photos and since digital can fix OLD photos, in recent years lots of time has gone into restoring many, many photos from family albums covering  my Finnish-American family heritage and history.  I eventually will produce books about my personal memoir and probable historic photo books.  I’ve also been a writer, starting with journaling at the end of 1977.  I absolutely love writing, and my computer storage now contains working manuscripts for at least a dozen book concepts, with other ideas piling up behind those.  But I need to update my computer equipment soon so I can better format manuscripts, and art/photos into them, too, to prepare them for electronic self-publishing.  I love that option we have now!

ST: When did you start drawing and painting?

DS: As a child I was already a natural artist.  I believe it was genetic as I’m 100% Finnish lineage–and the Finns are genetically extremely artistic.  I loved doing art as a child, all the way through school to graduation.  Because my family was farmer-laborer, I didn’t go to college for higher education–but was smart enough to have done that if there had been money.  Instead, I never sat back on the learning process as a young adult–in any subject.  But rather quickly did return to art . . . painting . . . about 5 years after graduation.  I had two pre-school daughters by then, and began painting on the kitchen table–of course, needing to clean up scrupulously after each session!  Especially because I’d started with oil paints–eventually switching to acrylics to avoid the fumes and possible other contact-toxins from handling oil paints.  Especially Flake White, which has lead.

ST: Was there somebody that encouraged you?

DS: Yes, there was someone who inspired me as an artist starting from a very young age.  Actually, my mother had painted as a teenager with a friend whose name was Marion.  So it was seeing as a child craft pieces my mother had made so many years before by gluing fall leaves on the then-78rpm records.   And then painting the leaves yellows, oranges, reds.  There were three paintings my mother had done that still exist to today.  So those were always on display in my grandparents’ farmhouse in Northern Minnesota.  My father had also been artistic, and had begun art school when they lived in Detroit–I was born in a suburb, Ferndale, at that time.  But he was drafted into World War II and had to quit art school.  Only one drawing my dad did, of the violin maker, Stradevarius, existed then, and to date.  It’s framed and hanging on a wall in my sister’s apartment here in Duluth.  Neither of my parents  were able to follow art as adults.  My mom was a homemaker and my dad a laborer.  Thank God he returned home from the war with just some back problems from a glider crash.  He was in the Battle of the Bulge in the 101st Airborne Division–a terrible event during WWII.

Marion, as Mom’s girlhood friend since kindergarten (or maybe it was first grade then–did they have kindergarten so very long ago?) . . . was still her friend as I was growing up, and we’d visit her home in that rural area near my grandparents’ farm on occasion.  Marion had taken up painting during her adult  years, but did extremely few in total that I know of.  One was a stunning portrait of a sister who had passed away, painted ethereally in blues, like the sky, her imagery as of angels.  Riveting to me!  Then, I believe this was after I was an adult with a toddler, as I recall one specific visit with my mom to Marion’s, with my daughter; she showed us another painting more recently done . . . a Moose in a Northern Minnesota swamp, edged with the typical swamp spruce and tamarac forest–a beautiful fall scene that I can see in my mind’s eye still.  Marion was so special to me and I just soaked up her artist-ness into my soul!

My family was always supportive of my love of art and Nature as a child.  I would do Paint-by-Number sets, and, again, I loved art in school.  I would save my artworks and when several aunts and uncles came visiting from Detroit and Florida to Minnesota in the summers, I’d bring out those drawings and paintings to put on an ‘exhibit’ . . . and they’d give me a dollar!  Guess what . . . I still have my best, saved artwork from the first dated to when I was 11 years old, through the 7th, 8th and 9th grades of junior high school!  They can be seen on my website:  dorissampson-lenscanvas.smugmug.com !  For so long I’ve wanted to be an inspiration to children, and here is my first opportunity!

ST: I bet you have been an inspiration to children even when you didn’t mean to be one.  I’m impressed with you range of techniques! You even have collage and modeling pasted paintings.  How did you discover and use this technique?

DS: I don’t remember right now what started the collage/modeling paste paintings.  Since I’ve kept good records throughout my art career, it’s probably written down somewhere for me to find when I can start digging.  But they were fun to do, using materials to build a foundation for a painting; then gessoing that ground (a primer layer); finally painting everything.  Then, give it a wash of diluted burnt umber (brown) acrylic paint mixed in a lot of water and quickly wipe it off again with a soft rag–before it could dry.  Then only a little bit of pigment would remain on the surface of the painting to provide a slight antiquey appearance to it.

ST: How do you handle moments when you get a zoom of inspiration?

DS: Since I do Art, Photography AND Writing, inspiration is more or less a constant on-going thing of which I can never keep up; as much as I would like to.  So Art ideas get noted on paper, some started; Photos are a never ending job in my computer now; and my external hard drive is exploding with accumulated Writing projects, or notes and notes and more notes for those underway, and new project ideas.  What I work on from day to day has no schedule–except to plow into whatever project/s are staring me in the face . . . NOW.

ST: What other forms of art do you practice?  What are some tools you like to use to create?

DS: Art, Photgraphy and Writing take up all my work time creativeness.  However, I am a ballroom dancer, and good at it.  Genetic I’m sure as both my parents loved to dance and were great dancers in their early years.  Raising a family, I only saw them dance about three times that I can remember.  I sure wish I could see a movie of the years I was never a conscious part of!  Dance  is a wonderful, beautiful and happy form of Art!

ST: How do you find you models for your pen and ink drawings? There must be hundreds of beautiful portraits!

DS: A couple of the people and pet pen and ink drawings you see are ones I did because I wanted to do them for myself.  The rest are commissions from folks who saw my first portrait promotions starting around 2002.  What you see in my website are what I’ve done.  There might be another couple or so not shown, but I can’t remember at this writing.

ST: I’m sure there must be many, but what is one of your favorite songs?

DS: It’s probably better to ask what are my favorite genres of music.  I love Finnish music that depicts my era of growing up–accordian and fiddle bands.  There are two in particular I have tapes or CD’s of; Minnesota bands, “Third Generation” and “The Finn Hall Band”.  Next, whenever I have an opportunity to work in my office AND listen to music at the same time, I’ll put on internet radio with Pandora.com . . . and I’m already keyed in to Classic Country-Bluegrass Gospel songs by historic Nashville voices from yesteryear to current singers who still have the same classic sound.  On Sunday mornings, we have a local radio station, WKLK, that also plays those old gospel songs.  I absolutely love them, and they are my inner Church every time I listen to them; filling me with the Spirit of God!

I also enjoy classical music on occasion; and my everyday favorite genre is the current “Music of Your Life” station that is streamed via many radio stations across America.  Those songs truly depict the best pop songs I’ve heard over my 70 years of lifetime!  So it would be more correct to speak of favorites in each genre–but that would be too big a project to do!

ST: Your art career has taken you on such a journey!

DS: I started my Scribble Drawings, which I now call my “Human Emotional & Thematic Caricatures . . . or Just Pure Art Form”, when I was taking drawing classes at a local university in 1985.

University art classes were already far into the “modern” thing . . . be loose, let your mind wander, and finally . . . just scribble and see what happens.  Well, I absolutely LOVED what I did with scribbles, learning immediately that the most important thing to remember is . . . WHEN TO QUIT!  My personal take on it was to use quality pen and ink, and then take a good look at the scribbles to see if or what there was anything recognizable in the shapes.  If so, then I’d start filling in space with my black ink to bring out that ‘something’ . . . or ‘someone’, if it had an abstract human element to it.  Other times the shapes and forms depicted only abstract shapes and forms!  So then I filled spaces in while keeping COMPOSITION in mind; to create Pure Art Form.

I did a large number of them around 1985, and it was the year 2000 when I took it up again.  I was working on a book of poems about the subject of “Love” as a “mystery”.  I wanted to illustrate the book and it occurred to me those 1985 drawings could be termed mysterious.  When I checked them out, I discovered that many of my poems actually matched what some of the drawings seemed to be displaying.  So I included them into my manuscript, and started doing the scribble drawings again here and there until now.  I have about 250 of them now!  These can be seen on my website also:  dorissampson-lenscanvas.smugmug.com.  Find this gallery under ART OF DORIS SAMPSON.

ST: Doris, thank you so much for sharing with us! You have shown us how to look at life, lines, and color in a different way with your creative scribbles!  If you have any tips for parents and adults for how to create with children please let us know.

DS: As for tips for parents, EVERY CHILD IS AN ARTIST!  Provide the materials for them, and they will draw and/or paint.  Display the Artworks.  Choose the best from every year’s work and place these into an archival album–learn HOW to preserve art and photos archivally, don’t just glue or tape them in.  There are album stores all over the country now.  There is one online source I’ve been able to get oversize albums from in which to store my Scribble Drawings.  It used to be called Century Plastics . . . don’t know if that’s a current name or not.  These albums were acid-free, as I recall, with 12×18 pages of sturdy paper.  A perfect ground for archiving your children’s artworks.  The best of the best artwork/s–mat and frame them!  I have some from my daughters.  Once, when her dad and I went to a conference night, there were pastel painting pictures hanging all around the room–one by each child in that class.  My eyes flew to one in particular that clearly shouted, “This child IS an Artist inside already!”  It was so good compositionally, and with colors, lines, shapes and forms!  Well . . . it was my daughter’s . . . a chip off the old block, going all the way back to both of her grandparents’ generation, too!

This daughter is now an assistant professor in the Art Department of a University in the State of Missouri!  My other daughter is a Certified Public Accountant; and far on her way, too, of becoming a Nutritionist . . . already, via the internet, she is teaching people how to live and eat NATURALLY.  That was something else our family did–we gardened organically, I canned and froze vegetables and fruits; and by golly, both grew up to follow in those footsteps.  The Artist of my two daughters, and her husband, own an organic farm and apple orchard in Missouri!

ST: You are right, Doris, every child is an artist.  Thank you

Try these two Scribble Inspirations from Doris Sampson:
‘Yellow roses for my birthday’ and ‘Collage painting art project’

All photos: Copyright Doris Sampson 2013.  Permission for free educational use for children granted.  All Artist Reproduction-Distribution Rights Reserved. Contact Information:  “.  Feedback to Artist is welcome!”

Scribble Town (ST): Lewie JPD said hello to us on the Scribble Town Facebook page one day and I am so happy he did! Lewie JPD is a cutting edge visual artist who has lived and worked in Sydney, Tokyo and Los Angeles. His work is a hybrid of imageries – pop, surrealism, collage and comic art – blended together to create zany worlds and characters. His strong use of color and free-styling, casual brush work come together to form eye-catching images that are unique and highly imaginative.

In the midst of excitement where are you and what are you up to these days?

Lewie JPD (JPD): Currently, I’m living in Sydney, Australia, by the beach. Everyday I spend time looking at the clouds and the ocean.

They’re always changing and are magnificent inspiration on a visual level. Of course, I have to dive in to the ocean and swim, too; everyday! Artistically, although trained as a painter, I have spent the last year creating all my new works digitally – on my cell phone! It is a large screen Samsung Galaxy Note and it has a stylus and a wonderful program called SMemo which I use to make art.

ST: That is quite a transition to go from painting to cell phones. I’m so curious to see your new line of work! You have traveled a lot and have mentioned that you grew up in Japan. How have living and being exposed to other cultures influenced your work, if any?

JPD: Growing up in Tokyo was a huge influence – not only on my art – but on my life. I moved to Tokyo when I was ten and stayed till I was eighteen. Then I came back to Australia for art school. Soon after I moved back to Japan where I worked as an illustrator for six years. Tokyo is a very exciting, dynamic city and the Japanese people are thoughtful and kind, innovative and hard working. Culturally, they are incredibly evolved and inspirational. I was lucky to be able to speak Japanese and have been very positively influenced by some wonderful, talented people there.

ST: Artistically Tokyo has so much to offer, as well! Is that how you discovered your love for drawing and painting?

JPD: I pretty much discovered drawing and painting on my own. Growing up in Tokyo in the 70′s, we had access to second hand American comics from a book shop in Roppongi – not far from a US base. Over six years, my brothers and I collected well over 3,000 of them – not only well know titles like Archie, Superman, Wonder Woman and Mad, but also, more obscure, equally entertaining ones like Swamp Thing, Sergeant Rock, Richie Rich and Cracked. We loved comics! I guess all those images rubbed off on me and I began to do some drawings and simple comics of my own from around the age of thirteen.

ST: I think your Dancing Fishface would be a great protagonist for a comic. Maybe another future project. I noticed that you even make films! How did this medium come into your repertoire?

JPD: Film making, too, I think, is an extension of all the comic (and book!) reading. Simultaneously to drawing, I began writing short stories in my early teens which lead to writing and publishing humorous zines (20 or 30 pages, photocopied, handmade, editions of 200 – with titles such as Free Spirit and Idle).

I then went on to writing and making short films in my late twenties; animation, comedy radio shows and later, after studying screenwriting at UCLA, feature films.

My latest feature – a coming of age story set in Tokyo – is yet to be produced – but I am confident it will, eventually! Film is a fantastic medium full of inventive and inspired collaboration. I usually make one or two shorts a year on video just for fun and practice.

ST: This is a loaded question, but which filmmakers do you like?

JPD: My biggest influences from the early days are David Lynch’s, Eraserhead + Martin Scorcese’s, Taxi Driver + Robert Altman’s, Nashville + Akira Kurosawa’s, Seven Samurai. These days I think all the great energy is in TV series, not only big dramatic shows like Boardwalk Empire, Game of Thrones and Breaking Bad – but also great comedy shows like Community, 30 Rock and The Office. Laughing is the best!

ST: The rumors are right- laughing is the best medicine!

What is the process of designing like when you create murals? The murals, tables, and benches you painted at Harry’s Espresso Bar are amazing! There must be a huge amount of planning when creating on such a large scale.

JPD: When it comes to art, I am not really a planner. I love to dive in and create things out of nothing, to be in the moment. I have been doing it now for over thirty years – that’s a lot of practice! – so I have enough confidence that even for big jobs like the work commissioned by Harry’s in Bondi Beach, I can just turn up, after a body surf and a coffee, with my bag of paints. I am amped with a positive attitude and start creating, going with the flow.

ST: Earlier you said that everyday you are inspired. Living by the beautiful beach in Sydney encourages that! How do these pops of inspiration come about?

JPD: I create every day. I carry a pocket size journal with me everywhere – for notes, ideas, comics and doodles – and I have been doing this since my twenties. For me, life and creativity are the same thing. Inspiration is everywhere. Ideas zing around all the time and pop in from nowhere. I spend a lot of time in libraries, cafes and also travelling. On the net, I constantly seek and find works of wonderful artists and get inspired that way, too.

ST: What other forms of art do you practice?

JPD: As I mentioned earlier, these days, I have been able to carry my art studio with me – in the form of my cell phone. I get pleasure from making new images everyday. Most days, I spend between three to four hours – and to since April last year, I have made 1,700 new works. Over the years, I have had various artist studio spaces, where I have worked on large style canvases and drawings for exhibitions, but lately I have been leading a more gypsy-like existence. Art on the go. Suits me well. The joy of expression takes many forms.

ST: Lewie JPD has a new solo exhibition of his latest work – and it’s a world first! – with all of the 28 featured art pieces created on his mobile phone – opening in Sydney at Deus Cafe gallery – 98 Parramatta Rd, Camperdown, Sydney on June 26th, 2013. His website is http://www.lewiejpd.com. Be there!

For another boost of encouragement and confidence to just start creating please go to the Scribble Shop http://www.scribbleshop.com/content/lewie-jpds-words-inspiration. Thanks Lewie JPD!

Scribble Town (ST): With us is Joel Garten, an artist, composer, writer, and entrepreneur.  Joel says, “I have so many different things that I do, and the thing that unites them all is a sense of flow and creative energy.  I use that sense of flow and intuition in everything I create, and try to have a sense of flow in my path through life.”  Yes, you do Joel and it is seen in your colorful, vibrant, and musical paintings.

Joel, where are you and what are you up to these days?

Joel Garten (JG): I am working on a series of large scale paintings. These paintings are 4 feet by 8 feet, really long scrolls of paper that I paint with many different type of media.  I also compose music on the piano regularly.

ST: When did music enter your life and was there somebody that encouraged you to compose?  I wonder what came first- music or painting?  I say this because I can see the music in your paintings!

JG: The music certainly came first in my life.  It came very early, I started playing piano when I was eight or nine, and I began composing music very soon thereafter.  It is something I took to very naturally, and I have been composing for more than 20 years.  Interestingly, I have a lot of difficulty reading music – almost like music notation dyslexia – which meant that I devoted most of my musical output to improvising music.  This means I write the music as I play, it is all one artistic creation of the moment.  My music is very personal, and an expression of my sense of intuition and rhythym.  My music has also always been influenced and inspired by visual art, such artists as Jackson Pollock, Giorgio Morandi, and Richard Diebenkorn.  It is meditative, soulful, dissonant, and repetitive; but repetitive in a good way – the way that repetition can unearth deeper truths in the music as it unfolds.

Here is an improvisation from a recent concert I did in Toronto: joel-garten-live-in-concert

ST: And with painting- how do you feel the two artistic elements support each other?

JG: Creating visual art myself is something that happened only recently, and has really increased in intensity in the past few months.  I was inspired to create art by seeing works by Jean-Michel Basquiat.  Just like Basquiat, my work has a lot of bright, joyful colors, but also works at deeper level, what the Abstract Expressionist called “the sublime”.  Abstract expressionism is an influence on my art, as is the work of Cy Twombley.  Yes, there is a lot of music in my artwork, and a lot of people say they can really see music in my paintings.  It is because there is a lot of energy, vibration, and that sense of flow that I talked about earlier in the paintings.  The artworks have rhythm.

ST: When did you start composing, playing the piano and painting?  You play improvisational music- do you ever paint in that manner?

JG: The artwork is definitely improvisational.  I start with no preconceived plan or sketch, I simply start in, and follow my intuition.  I let the painting tell me what to do.  And recently I have been starting to use acrylic paints to do essentially finger painting – except using my whole hand, and sometimes my whole arm.  I also use both hands to paint, sometimes at the same time, just like using my right and left hand to play piano.

ST: What have you been listening to when you paint?  What kind of music do you like?

JG: I have a number of different things on when I paint, sometimes it is Stevie Wonder, sometimes it is jazz by Keith Jarrett (a big influence in my music) or Bobo Stenson.  I like classical music, jazz and Motown, as well as new music.

ST: Where do you find yourself feeling really inspired to create?  If there’s a process you go through to spark the creativity, please let us know.

JG: I usually get most inspired at night.  I don’t really need daylight to paint, I like to paint under incandescent lighting. I put on some music, take some supplies and start painting.

ST: What are some other forms of art you practice? Do you ever mix other mediums with your oil pastels?

JG: Well, I have a plan to do a number of other types of art.  The next thing I would like to do is use my artwork to create fashion.  Yes, I use oil pastels, oil stick (oil paint in stick form), and acrylic paint.

ST: I can’t wait to wear a piece of your art!  Do you ever play with other musicians?  Please let us know of your next show.

JG: I improvise music on my own, it is a very personal, and maybe even spiritual experience.  I do have interactions with other musician though.  When I was younger I was invited by the rock musician Bryan Adams to play a concert at his studio in Vancouver.  I am also doing a series of artist profiles of musicians, which is being published on the Huffington Post.  Right now I am focusing on doing small scale studio sessions-concerts of my music, and I want to turn those into a CD.

ST: You are up to all sort of creative happenings. Definitely keep Scribble Town posted on all your adventures! Just hearing about how energetic, active, and open you are is encouraging in itself.

JG: A lot of children are natural artists, and famous painters like Basquiat and Jean Dubuffet were inspired by children’s paintings.  It is hard for people to hold onto to their child-like talents as the get older, and marry those instincts with experience.

ST: Thank you Joel for all your insight and inspiration!  Joel has also given parents and teachers tips on how to talk about art with young artists.  To read more about that please go to the Scribble Shop Inspirations page: http://www.scribbleshop.com/content/artist-joel-garten-shares-how-create-and-talk-about-art-your-child

Check out Joel Garten’s website www.joelgarten.com!

Scribble Town (ST): Clark Sorensen is a man of his heart, many trades and talents! He grew up in Salt Lake City, Utah, where he earned a Bachelor of Fine Arts Degree in Sculpture from the University of Utah.  Before settling in California he lived in France for a couple of years.  Clark has been a costume designer, illustrator, and computer animator, working primarily on video games.  He probably has had a hand in one of your favorite video games!  Clark’s playful attitude has led him back to sculpting and painting where for the past 10 years he has devoted his full attention to creating art.  His unique series of urinal sculptures has given him worldwide recognition and now he has caught Scribble Blog’s eye!

Clark, where are you and what are you up to these days?

Clark Sorensen (CS): I am living and working in San Francisco.  I’ve been a full time artist for about 10 years working primarily in porcelain.

ST: How did you discover working with ceramic and was there somebody that encouraged you?

Scribble Town (ST): With us on the Scribble Blog is Timothy Young! Timothy has a long, creative career as an illustrator, graphic designer, toy designer, animator, puppet builder and sculptor and continues to surprise us with his imagination.

Timothy Young (TY): Hi! I live in Maryland with my family on the eastern shore of the Chesapeake Bay. My first book, I’m Looking For A Monster!, came out in 2008 and my 4th book, I Hate Picture Books!, has just come out from Schiffer Publishing.

ST: Where are you and what are you up to these days? I’m sure very excited about your book ‘I Hate Picture Books!’ reaching people everywhere! Please tell us a bit about your book. A little sneak peak please

TY: I Hate Picture Books! is about a boy named Max who is having a bit of a temper tantrum and is throwing away his picture books. Throughout the book Max describes how picture books have gotten him in trouble and all the while we see him either pictured in these books or showing what he is describing in the style of many classic children’s books that the reader will recognize. I really enjoyed poking fun at many of the books I have loved through the years.

ST: Throughout your years of experience have you found a favorite place to write and draw?

TY: I have a home office where I do most of my drawing. I write in many places, including when I’m mowing the lawn or driving in my car. That is, I think up a lot of ideas and write them down later on.

ST: I think writing while mowing the lawn is it’s own art form! What other kinds of art do you practice?

TY: I have done a lot of different types of art. I draw, I sculpt, I use the computer to design graphics and advertising. I use Photoshop to finish most of my illustrations.

I design toys and I have a new toy line coming out soon called HEDZZ™. I designed them and sculpted the prototypes. I’ll let you know more soon about where to get them. You can see more of my artwork at http://www.creaturesandcharacters.com.

ST: All of your characters whether they are in books or in the shape of a toy have such different personalities. What do you hope to communicate with your stories?

TY: I don’t start out with any specific message, I usually think of a character and a situation they find themselves in. If some kind of lesson sneaks in there, that’s a plus. Mostly I write books for myself and I hope other people like them too.

ST:What was your favorite storybook growing up? Or is there a character that you connected with especially?

TY: I loved Dr Seuss and P. D. Eastman’s books along with many others. Two of my favorites are no longer in print. I especially liked The Ice-Cream Cone Coot by Arnold Lobel and GWOT! Horribly Funny Hairticklers by Steven Kellogg.

ST: I can see your love for Dr. Seuss in your picture of Max eating green ham (look to your right). Dr. Seuss would have loved that! Your designs and inventions inspire us to go to adventure lands! Where do you get your inspiration from?

TY: Everywhere! I can’t stop these characters and ideas from running around in my brain.

Often times I just doodle things until they become a creature or a character who’s story needs to be told. These days I like drawing on really cheap tracing pads I buy at the supermarket. The paper is rough and I like the line quality I get with my drawing pencils. My favorite pencils are Creatacolor Nero extra soft #1s. Once I have a sketch I like I take another piece of paper and trace over my first to get cleaner lines. Then I scan it into my MacBook Pro and do all of my color work in Photoshop.

I wanted to let everyone know about my contest. If you can name 40 books of the over 250 that are referred to in I Hate Picture Books!, you can enter to win over a dozen autographed books by authors whose books are in my book. You can find all of the details at http://www.ihatepicturebooks.com/contest.html.

ST: Thanks Tim for the challenge! I’m up for it. On your mark, get set, go!

Scribble Town (ST): The first time I spotted Adrienne Moumin’s photo collages I was stunned by their design and beauty.  And then curiosity hit!  How did she do that?  Where are these images coming from and how is it so that from one concrete image it is perfectly cut and spliced and then re-contextualized all to have it’s meaning turned upside down.  Adrienne is here with us to share with us her creative story!

Adrienne Moumin (AM): I was born in 1961 in Brooklyn, NY. I work in film-based, hand-printed, B&W photography, and hand-cut-and-assembled, mixed-media photo collage.

I am best known for my Architextures series of handmade photo collages.  My favorite photographic subjects are NYC architecture and urban landscapes, and store window mannequins.

My photography and collage have been exhibited in New York, and nationwide, for over fifteen years.  My work is in private collections in the US and internationally.

ST: Your photographs and collages have been on the move for quite a while now!  Where are you and what are you up to these days?

AM: I am based in New York, NY and Silver Spring, MD. I split my time between the two cities: showroom in NYC, and studio and darkroom in MD. I am continuing to work on my Architextures series, as well as coming back to the surrealist mixed-media collage style that I have dabbled in for years. I recently sold one of those pieces to someone who is wildly enthusiastic, and has encouraged me to produce more work in that genre.

ST: I like the name of your series, Architextures.  It gives a tangible feeling to the photo collages, but also a sense of having a strong structure to the series.  When did you start making collages and taking photographs? Was there somebody that encouraged you?

AM: I began working in cut-paper collage starting at about 8 years of age, using magazines and catalogs that would come to the house, to decorate whatever I could find.  A major project in childhood was decorating the top of a castoff bookcase with hand-cut magazine pictures. I began photographing seriously, and studying film and darkroom processes, in my ‘20’s. I have been completely self-propelled in my artistic endeavors.

ST: That’s great to hear that you have been making collages since your were 8 years old!  Where do you find yourself feeling really inspired to create?  I really like your stories on your website especially the one under Architectural Detail.  You write, “Someone told me once that I was an architect in another life. I love the curves and the lines, the reflections and the tonalities, the solidity and transparency, and the man-made striving for esthetic and functional perfection, of architectural forms.”  To read more of Adrienne’s stories please go to http://www.picturexhibit.com/index.html.

AM: So many things inspire me!: Walking around the city, looking at architecture and urban landscapes; fashions worn by passersby; and store window displays.  And, of course, looking at the art of others, in galleries, museums, and online.

ST: Inspiration is one thing, but skill is another.  How do you hand print silver gelatin photographs?  What is the process?  I’m sure we are all interested in the magic of the dark room.

AM: I use an enlarger, which is a device that shines a light through the photographic negative, and projects it below onto the light-sensitive paper that I place there.  Then I put the paper through a series of chemicals in trays, to develop and fix that latent image. This is all done under a reddish-orange “safelight,” which provides just enough light for me to see what I am doing, yet does not affect the paper.

ST: What forms of art do you include in your mixed media photo collages?  What are some tools you like to use?

AM: I always start with the photograph, and what it suggests to me in terms of feeling and mood.  There is no limit to what I will attach to the surface of a photograph. Paper cutouts, glass or plastic beads, sequins, Swarovski crystals, metal stampings…the list never ends!

ST: What kind of music do you like?  Is there something you are listening to at the moment while you make art?

AM: Music is very important to me when I am printing in the darkroom.  In keeping with the analog nature of my work (and my refusal to replace a perfectly functioning technology simply because something new comes out), I have a little boombox in there which plays cassettes and CDs! Two of the CDs I nearly always listen to during printing sessions are the first album from Counting Crows, “August and Everything After,” and The Band’s “Greatest Hits.”

ST: Adrienne, you have given us a great start to create and how to look at things differently!  What is a piece of advice for parents and their little scribblers?

AM: For the parents: Look at some collage sites on the internet, and google different search terms, to find age-approriate project ideas for children; many require little or no money.  Talk to your children about what they would enjoy; you never know when an idea will spark a fire that lasts a lifetime.

For scribblers: Just do what you feel. Because art has no rules.

I found this on Pinterest, and followed the link to this ingenious project, posted by art teacher Sherri Schultz.  It is simply using our imaginations to expand on an image.
http://artmommie.blogspot.com/2012/03/young-explorers-class_10.html

ST: You are right- art has no rules and now is the time to explore and create!  Thank you, Adrienne!

To find the tools to get started on your own collage please have a look at Adrienne’s suggested art activity that expands your image  http://www.scribbleshop.com/content/exploring-expansion-your-image-and-imagination