Search This Blog!




Email

Scribble Artist Interview with Xavi Carbonell!

Scribble Town (ST): Stories come alive in your imagination when you look at the paintings of Xavi Carbonell, an artist from Spain.  Let’s meet Xavi and learn how he creates these beautiful story builders!

Untitled, 2012 Mixed media on paper 26 x 40 in (70 x 100 cm) XC1361

Untitled, 2012
Mixed media on paper
26 x 40 in (70 x 100 cm)
XC1361

Xavi Carbonell (XC): Hi my name is Xavi Carbonell, I am 42 years old, live in Alcoi, Spain with my wife and two daughters.  I am a full time artist. have exhibited in various countries in Europe, Africa and the United States and my work is in many international collections.   I am often described as an Abstract Expressionist, and infantile painter.  Infantile is a genre not well known in the US, but it means my work reminds the viewer of a child’s work, but remember making something look simple is usually the most complicated task!

ST: Where are you and what are you up to these days?

XC: I am currently in New York City, painting and preparing for an art fair with my gallerist later this summer.

Untitled, 2012 Mixed media on paper 26 x 40 in (70 x 100 cm) XC1404

Untitled, 2012
Mixed media on paper
26 x 40 in (70 x 100 cm)
XC1404

ST: That’s exciting!  Your days are spent with filling canvases with color.  Sounds like a wonderful summer, but I’m sure it’s quite a lot of work too.  When did you start painting?

XC: I started painting when I was 20 and was inspired after seeing works by the Spanish Artist, Antonio Saura in a museum exhibition.  At that moment I realized I wanted to paint and create my own path.

ST: It’s pretty remarkable how those unforeseen moments in life realize the paths we take.  Similar to you stumbling upon Antonio Saura, is there a way that you run into inspiration?  Where do you find your spirit to create?

XC: I am most inspired to create in NYC, the city has such a powerful energy.  The process of creativity is difficult to describe, but I find it’s often a result of new experiences, travel, meeting new people, but at the same time when I am in front of a blank canvas it just guides me.

Untitled, 2013 Mixed media on canvas 48x 48 in (120 x 120 cm) XC2403

Untitled, 2013
Mixed media on canvas
48x 48 in (120 x 120 cm)
XC2403

ST: Since your paintings are so narrative for me- I start to hear a soundtrack that goes along with the picture.  Do you ever listen to music when you paint?

XC: There was a period when I exclusively listened to classical music, then it was Jazz, and lately I don’t listen to much music while painting.

ST: Your paintings are so vibrant and strong from your choice of shapes and colors that I make up my own story when I see them.  My imagination just takes off!  Is there a story you are building in your head as you paint?  Is that why you title your pieces Untitled- as to keep the mystery and openness available for all viewers?

XC: Yes, there’s a story in my head and that’s exactly why all my pieces are untitled.  If I use a title, the viewer is pre-conditioned to see something.  I prefer the viewer to create their own story, as I think that’s more fun and I want each person to see what they want to see in my work.

ST: It’d be interesting if you had a book next to your paintings and you could have the viewer write down the story that comes to mind when they see your paintings.  You’ll get loads of different responses!  That leads me to other mediums- what are some other forms of art you practice? Do you ever mix other mediums with your oil pastels?

XC: I have worked in the performance genre, and I love to cook which is a creative outlet.  My concept of mixed media is based on oils but I also include, magic markers, chalk, colored pencils, oil sticks and charcoal.

Untitled, 2012 Mixed media on paper 19.75 x 27.5 in (50 x 70 cm) XC1441

Untitled, 2012
Mixed media on paper
19.75 x 27.5 in (50 x 70 cm)
XC1441

ST: Painter Joel Garten mentioned to me that you had once said your work is influenced by childrens art.  I am interested to know more about his comment.

XC: I am very inspired by the imagination of children and how they execute the concept on paper.  I am always fascinated by how you can have a conversation with a child on paper with out actually using words.  The innocence of children is the most exciting as adults unfortunately rarely preserve that quality.  It’s something most of us sadly just lose along the way.

Kids, never lose your innocence.  Adults, if you feel like you have lost it, try hard to find it in yourself as it’s the best part of each of us.

ST: With that said let’s try Xavi’s drawing exercise.

XC: One exercise is to draw with your eyes closed.  For instance draw a landscape from memory, but remember to keep your eyes closed!  You’ll be amazed with what you can create.

ST: Scribblers, send in your drawings to and we can post them on the Scribble Blog.  Thanks Xavi for sharing so much with us!  To see more of Xavi’s work you can go to http://www.artangler.com/Carbonell.html.

Untitled, 2012 Mixed media on paper 19.75 x 27.5 in (50 x 70 cm) XC1463

Untitled, 2012
Mixed media on paper
19.75 x 27.5 in (50 x 70 cm)
XC1463

Print

Sandy Lion at the Beach!

Now that it’s officially summer, you probably have plans to take your kids to the beach.  No need to take an extra bag with art supplies. With objects found on the beach and a little imagination your kids will have a fun day filled with creative inspiration from mother nature.

Your little Scribblers can create sculptures crafted with with stones, sand and seaweed and all kids of things that wash up from the ocean.

Pebble Fish by Richard Shilling

Pebble Fish by Richard Shilling

Here are some things to think about before creating your beach master piece.

Relax and take a good look around.

Take in the color, smells and textures of the air, water and sand.

Let the ocean speak to you then decide what you would like to create.

Select some objects and materials that you would like to use to make your art….sand, stones, seaweed, etc.

Get creative, draw designs in the sand by swirling the sand with a stick or your hand. 

Play with patterns, and textures.  You may want to use sea shells to create patterns in the sand or use a stick  to carve lines.

Take a look at this Sandy Lion – amazingly this sculpture is created completely from sand and seaweed! 

Lion On The Beach

Lion On The Beach – Gurnsey Arts Commission

I love this Rock Man.  How fun!  Some seaweed and rocks and there you have it!

Art in the sand can be created by using a rake, a stick, objects that wash up from the ocean.Think about the wonderful patterns that can be created when you use the sand as your canvas.

Beach Art by Andres Amador

Beach Art by Andres Amador

Try making art the next time you go to the beach and let us see what you and your kids come up with.

Please send us photos.  We’d love to share your creativity and inspiration with our readers!!!

Happy Scribbling!

Print
Posted by , on June 25th, 2013 at 6:36 pm. No Comments

Category: adults,Arts & Crafts,Design,kids,Uncategorized Labels: , Art at the beach, Beach crafts for kids, Beach sculptures, Create, , Designs in the sand, , kids art, , , , , , summer crafts


Scribble Artist Interview with Doris Sampson!

Scribble Town (ST): Here with us on the Scribble Blog is Doris Sampson!  Doris is an artist full of energy, stories, creativity, and much much more as you will soon find out.  Doris, where are you and what are you up to these days?

See how I found shoes in this drawing? Added eyes to create a shy guy asking for a dance.

See how I found shoes in this drawing? Added eyes to create a shy guy asking for a dance.

Doris Sampson (DS): I live in Duluth, Minnesota . . . U.S.A.  This city is located at the western-most tip of Lake Superior, the largest of the Great Lakes.  It’s awesome!  Like living on the shore of an ocean, from our shore we cannot see land on the eastern horizon.  Weather events can rile up some terrible storms, occasionally over even modern decades taking a freighter to the bottom of any one of the Great Lakes.  The Big Lake is also our natural air conditioner.  Because the temperature of the lake is always much cooler than the air, when we get a wind off the lake, Duluth can be significantly cooler as we’re situated in the valley of a big hill alongside the shore.  Over the hill, much warmer!  I like it this way because I’m no fan of hot weather!

DS: My career as an Artist spans 48 years, and I started Photography shortly after that, too.  I’ve put tons of time and money into taking pictures, and since starting digital in 2002, in total over all my years, have tens and tens of thousands of pictures.  Therefore, big chunks of time have gone into organizing those photos and since digital can fix OLD photos, in recent years lots of time has gone into restoring many, many photos from family albums covering  my Finnish-American family heritage and history.  I eventually will produce books about my personal memoir and probable historic photo books.  I’ve also been a writer, starting with journaling at the end of 1977.  I absolutely love writing, and my computer storage now contains working manuscripts for at least a dozen book concepts, with other ideas piling up behind those.  But I need to update my computer equipment soon so I can better format manuscripts, and art/photos into them, too, to prepare them for electronic self-publishing.  I love that option we have now!

The shape looked like a golf club, though wildly abstract!

The shape looked like a golf club, though wildly abstract!

ST: When did you start drawing and painting?

DS: As a child I was already a natural artist.  I believe it was genetic as I’m 100% Finnish lineage–and the Finns are genetically extremely artistic.  I loved doing art as a child, all the way through school to graduation.  Because my family was farmer-laborer, I didn’t go to college for higher education–but was smart enough to have done that if there had been money.  Instead, I never sat back on the learning process as a young adult–in any subject.  But rather quickly did return to art . . . painting . . . about 5 years after graduation.  I had two pre-school daughters by then, and began painting on the kitchen table–of course, needing to clean up scrupulously after each session!  Especially because I’d started with oil paints–eventually switching to acrylics to avoid the fumes and possible other contact-toxins from handling oil paints.  Especially Flake White, which has lead.

ST: Was there somebody that encouraged you?

DS: Yes, there was someone who inspired me as an artist starting from a very young age.  Actually, my mother had painted as a teenager with a friend whose name was Marion.  So it was seeing as a child craft pieces my mother had made so many years before by gluing fall leaves on the then-78rpm records.   And then painting the leaves yellows, oranges, reds.  There were three paintings my mother had done that still exist to today.  So those were always on display in my grandparents’ farmhouse in Northern Minnesota.  My father had also been artistic, and had begun art school when they lived in Detroit–I was born in a suburb, Ferndale, at that time.  But he was drafted into World War II and had to quit art school.  Only one drawing my dad did, of the violin maker, Stradevarius, existed then, and to date.  It’s framed and hanging on a wall in my sister’s apartment here in Duluth.  Neither of my parents  were able to follow art as adults.  My mom was a homemaker and my dad a laborer.  Thank God he returned home from the war with just some back problems from a glider crash.  He was in the Battle of the Bulge in the 101st Airborne Division–a terrible event during WWII.

Here is a scribble drawing that reveals a woman by how I filled in spaces with black ink.

Here is a scribble drawing that reveals a woman by how I filled in spaces with black ink.

Marion, as Mom’s girlhood friend since kindergarten (or maybe it was first grade then–did they have kindergarten so very long ago?) . . . was still her friend as I was growing up, and we’d visit her home in that rural area near my grandparents’ farm on occasion.  Marion had taken up painting during her adult  years, but did extremely few in total that I know of.  One was a stunning portrait of a sister who had passed away, painted ethereally in blues, like the sky, her imagery as of angels.  Riveting to me!  Then, I believe this was after I was an adult with a toddler, as I recall one specific visit with my mom to Marion’s, with my daughter; she showed us another painting more recently done . . . a Moose in a Northern Minnesota swamp, edged with the typical swamp spruce and tamarac forest–a beautiful fall scene that I can see in my mind’s eye still.  Marion was so special to me and I just soaked up her artist-ness into my soul!

This mushroom shape becomes one with some embellishment; not the different pen strokes creating varieties of texture.

This mushroom shape becomes one with some embellishment; not the different pen strokes creating varieties of texture.

My family was always supportive of my love of art and Nature as a child.  I would do Paint-by-Number sets, and, again, I loved art in school.  I would save my artworks and when several aunts and uncles came visiting from Detroit and Florida to Minnesota in the summers, I’d bring out those drawings and paintings to put on an ‘exhibit’ . . . and they’d give me a dollar!  Guess what . . . I still have my best, saved artwork from the first dated to when I was 11 years old, through the 7th, 8th and 9th grades of junior high school!  They can be seen on my website:  dorissampson-lenscanvas.smugmug.com !  For so long I’ve wanted to be an inspiration to children, and here is my first opportunity!

ST: I bet you have been an inspiration to children even when you didn’t mean to be one.  I’m impressed with you range of techniques! You even have collage and modeling pasted paintings.  How did you discover and use this technique?

DS: I don’t remember right now what started the collage/modeling paste paintings.  Since I’ve kept good records throughout my art career, it’s probably written down somewhere for me to find when I can start digging.  But they were fun to do, using materials to build a foundation for a painting; then gessoing that ground (a primer layer); finally painting everything.  Then, give it a wash of diluted burnt umber (brown) acrylic paint mixed in a lot of water and quickly wipe it off again with a soft rag–before it could dry.  Then only a little bit of pigment would remain on the surface of the painting to provide a slight antiquey appearance to it.

ST: How do you handle moments when you get a zoom of inspiration?

DS: Since I do Art, Photography AND Writing, inspiration is more or less a constant on-going thing of which I can never keep up; as much as I would like to.  So Art ideas get noted on paper, some started; Photos are a never ending job in my computer now; and my external hard drive is exploding with accumulated Writing projects, or notes and notes and more notes for those underway, and new project ideas.  What I work on from day to day has no schedule–except to plow into whatever project/s are staring me in the face . . . NOW.

Color can be dropped into a drawing as desired on a computer, for me this was done in Photoshop4.

Color can be dropped into a drawing as desired on a computer, for me this was done in Photoshop4.

ST: What other forms of art do you practice?  What are some tools you like to use to create?

DS: Art, Photgraphy and Writing take up all my work time creativeness.  However, I am a ballroom dancer, and good at it.  Genetic I’m sure as both my parents loved to dance and were great dancers in their early years.  Raising a family, I only saw them dance about three times that I can remember.  I sure wish I could see a movie of the years I was never a conscious part of!  Dance  is a wonderful, beautiful and happy form of Art!

ST: How do you find you models for your pen and ink drawings? There must be hundreds of beautiful portraits!

Here I wanted to make a heart shape with abstractions--a very fast swish, swish, swish with the hand kind of drawing.

Here I wanted to make a heart shape with abstractions–a very fast swish, swish, swish with the hand kind of drawing.

DS: A couple of the people and pet pen and ink drawings you see are ones I did because I wanted to do them for myself.  The rest are commissions from folks who saw my first portrait promotions starting around 2002.  What you see in my website are what I’ve done.  There might be another couple or so not shown, but I can’t remember at this writing.

ST: I’m sure there must be many, but what is one of your favorite songs?

DS: It’s probably better to ask what are my favorite genres of music.  I love Finnish music that depicts my era of growing up–accordian and fiddle bands.  There are two in particular I have tapes or CD’s of; Minnesota bands, “Third Generation” and “The Finn Hall Band”.  Next, whenever I have an opportunity to work in my office AND listen to music at the same time, I’ll put on internet radio with Pandora.com . . . and I’m already keyed in to Classic Country-Bluegrass Gospel songs by historic Nashville voices from yesteryear to current singers who still have the same classic sound.  On Sunday mornings, we have a local radio station, WKLK, that also plays those old gospel songs.  I absolutely love them, and they are my inner Church every time I listen to them; filling me with the Spirit of God!

I also enjoy classical music on occasion; and my everyday favorite genre is the current “Music of Your Life” station that is streamed via many radio stations across America.  Those songs truly depict the best pop songs I’ve heard over my 70 years of lifetime!  So it would be more correct to speak of favorites in each genre–but that would be too big a project to do!

ST: Your art career has taken you on such a journey!

DS: I started my Scribble Drawings, which I now call my “Human Emotional & Thematic Caricatures . . . or Just Pure Art Form”, when I was taking drawing classes at a local university in 1985.

Do you see how you can add human emotion to a drawing than can be transformed into a man by adding teeth, an eye and a hat!?

Do you see how you can add human emotion to a drawing than can be transformed into a man by adding teeth, an eye and a hat!?

University art classes were already far into the “modern” thing . . . be loose, let your mind wander, and finally . . . just scribble and see what happens.  Well, I absolutely LOVED what I did with scribbles, learning immediately that the most important thing to remember is . . . WHEN TO QUIT!  My personal take on it was to use quality pen and ink, and then take a good look at the scribbles to see if or what there was anything recognizable in the shapes.  If so, then I’d start filling in space with my black ink to bring out that ‘something’ . . . or ‘someone’, if it had an abstract human element to it.  Other times the shapes and forms depicted only abstract shapes and forms!  So then I filled spaces in while keeping COMPOSITION in mind; to create Pure Art Form.

I did a large number of them around 1985, and it was the year 2000 when I took it up again.  I was working on a book of poems about the subject of “Love” as a “mystery”.  I wanted to illustrate the book and it occurred to me those 1985 drawings could be termed mysterious.  When I checked them out, I discovered that many of my poems actually matched what some of the drawings seemed to be displaying.  So I included them into my manuscript, and started doing the scribble drawings again here and there until now.  I have about 250 of them now!  These can be seen on my website also:  dorissampson-lenscanvas.smugmug.com.  Find this gallery under ART OF DORIS SAMPSON.

ST: Doris, thank you so much for sharing with us! You have shown us how to look at life, lines, and color in a different way with your creative scribbles!  If you have any tips for parents and adults for how to create with children please let us know.

This drawing shape clearly resembled a pumpkin, so I gave it color and an abstracty kind of face!

This drawing shape clearly resembled a pumpkin, so I gave it color and an abstracty kind of face!

DS: As for tips for parents, EVERY CHILD IS AN ARTIST!  Provide the materials for them, and they will draw and/or paint.  Display the Artworks.  Choose the best from every year’s work and place these into an archival album–learn HOW to preserve art and photos archivally, don’t just glue or tape them in.  There are album stores all over the country now.  There is one online source I’ve been able to get oversize albums from in which to store my Scribble Drawings.  It used to be called Century Plastics . . . don’t know if that’s a current name or not.  These albums were acid-free, as I recall, with 12×18 pages of sturdy paper.  A perfect ground for archiving your children’s artworks.  The best of the best artwork/s–mat and frame them!  I have some from my daughters.  Once, when her dad and I went to a conference night, there were pastel painting pictures hanging all around the room–one by each child in that class.  My eyes flew to one in particular that clearly shouted, “This child IS an Artist inside already!”  It was so good compositionally, and with colors, lines, shapes and forms!  Well . . . it was my daughter’s . . . a chip off the old block, going all the way back to both of her grandparents’ generation, too!

This daughter is now an assistant professor in the Art Department of a University in the State of Missouri!  My other daughter is a Certified Public Accountant; and far on her way, too, of becoming a Nutritionist . . . already, via the internet, she is teaching people how to live and eat NATURALLY.  That was something else our family did–we gardened organically, I canned and froze vegetables and fruits; and by golly, both grew up to follow in those footsteps.  The Artist of my two daughters, and her husband, own an organic farm and apple orchard in Missouri!

ST: You are right, Doris, every child is an artist.  Thank you :)

Try these two Scribble Inspirations from Doris Sampson:
‘Yellow roses for my birthday’ and ‘Collage painting art project’

Ultimately I elaborated on the original (displayed above) by adding red and blue for a patriotic statement, "I Love America!" This is a wonderful example of how and why I plan to produce a line of products, such as greeting cards, from my drawings!

Ultimately I elaborated on the original (displayed above) by adding red and blue for a patriotic statement, “I Love America!” This is a wonderful example of how and why I plan to produce a line of products, such as greeting cards, from my drawings!

All photos: Copyright Doris Sampson 2013.  Permission for free educational use for children granted.  All Artist Reproduction-Distribution Rights Reserved. Contact Information:  “.  Feedback to Artist is welcome!”

Print

Scribble Artist Interview with Carly Kasner!

Scribble Town (ST): Carly Kasner shows us how animations bring to life more imagination than we could imagine.  It is easy to see in her artwork and her approach to creativity!

Carly Kasner (CK): Hello Scribblers, I come from Long Island and graduated from FIT, May 2012. I am a graphic designer with some essence of illustrator mixed in. From the time I was little till this very day, I have had a special connection with cartoons, which inspires and or impacts my work today.

Anime self portrait of Carly Kasner

Anime self portrait of Carly Kasner

ST: How are you spending your time these days?

CK: I am currently interning at The Jewish Board of Family and Children’s Services in New York City. It is a non-profit organization that provides mental health and social services. I design various flyers, books, and print/e-mail invitations there. In my spare time, I have been recently involved in t-shirt design contests between the websites threadless.com, and welovefine.com.

In addition to that, I occasionally create my own characters for fun. In recent years, I do consider my work to be more digital but I still highly respect the traditional methods as well as the digital I utilized InDesign, Photoshop and Illustrator as my main digital formats I use whatever tool(s) will get the job done in the best way for my idea/client.

Monster's Inc scribble shirt by Carly Kasner

Monster’s Inc scribble shirt by Carly Kasner

ST: Designing t-shirts sounds really fun and it must feel good when you see somebody wearing one of your ideas. When did you start illustrating / scribbling / being creative?  Was there somebody that encouraged you?

CK: The beginning of my creative era was around kindergarten I stumbled into my interest of drawing through the inspiration I got from cartoons and my love for doodling. I used to like to draw dogs. I feel that I was born with a love for drawing.

ST: Your love for dogs is seen in your North Shore Animal League Logo.  I really like how you’ve nested the dog and the cat together.  It’s as if they were hugging each other.  It’s a very clever design!  Where do you find yourself feeling really inspired to create?

North Shore Animal League logo by Carly Kasner

North Shore Animal League logo by Carly Kasner

CK: I think my inspiration can come from different sources and/or artists, but I think my, main root was the endless hours I spent in front of the TV growing up. I was a 90s child and some of my favorite cartoons were Courage the Cowardly Dog, Hey Arnold, the Rugrats, and The Angry Beavers. I was inspired not only by the characters image; I was inspired by the stories that molded the characters personalities. And as I got older, I became inspired by Japanese cartoons and comic books a.k.a. anime and manga.

ST: What other forms of art do you practice?

CK: In high school, I did some ceramics, collages, oil painting, and water colors in recent years, I am still partial to the sketchpad and pencil. I try to use that for my creativity as much as possible and even though I haven’t practiced it much lately I am also fascinated by watercolors.

ST: What is your favorite movie?

CK: My favorite movie is Hayo Miyazaki’s Spirited Away.

ST: I also really liked Miyazaki’s Howl’s Moving Castle.  The story and images are unforgettable!  Carly, please share any tips, advice, or ways of encouraging scribblers.

CK: I struggle sometimes with accepting mistakes but it is important to accept mistakes and to learn from them. Try not to let them discourage you. I try to look at mistakes as boundaries to define what not to do next time. Keep in mind that you can’t get something right unless you get it wrong.

ST: Thanks Carly! That’s great advice!  Making mistakes is a big part of life and making art.  At least we can say we tried :)

Sweet Bots by Carly Kasner

Sweet Bots by Carly Kasner

Print

Scribble Artist Interview with Joel Garten!

Scribble Town (ST): With us is Joel Garten, an artist, composer, writer, and entrepreneur.  Joel says, “I have so many different things that I do, and the thing that unites them all is a sense of flow and creative energy.  I use that sense of flow and intuition in everything I create, and try to have a sense of flow in my path through life.”  Yes, you do Joel and it is seen in your colorful, vibrant, and musical paintings.

Joel, where are you and what are you up to these days?

Portrait of Joel Garten
Portrait of Joel Garten

Joel Garten (JG): I am working on a series of large scale paintings. These paintings are 4 feet by 8 feet, really long scrolls of paper that I paint with many different type of media.  I also compose music on the piano regularly.

"Untitled" 48×60 inches, oil pastel and oil stick on paper by Joel Garten
“Untitled” 48×60 inches, oil pastel and oil stick on paper by Joel Garten

ST: When did music enter your life and was there somebody that encouraged you to compose?  I wonder what came first- music or painting?  I say this because I can see the music in your paintings!

JG: The music certainly came first in my life.  It came very early, I started playing piano when I was eight or nine, and I began composing music very soon thereafter.  It is something I took to very naturally, and I have been composing for more than 20 years.  Interestingly, I have a lot of difficulty reading music – almost like music notation dyslexia – which meant that I devoted most of my musical output to improvising music.  This means I write the music as I play, it is all one artistic creation of the moment.  My music is very personal, and an expression of my sense of intuition and rhythym.  My music has also always been influenced and inspired by visual art, such artists as Jackson Pollock, Giorgio Morandi, and Richard Diebenkorn.  It is meditative, soulful, dissonant, and repetitive; but repetitive in a good way – the way that repetition can unearth deeper truths in the music as it unfolds.

Here is an improvisation from a recent concert I did in Toronto: joel-garten-live-in-concert

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

ST: And with painting- how do you feel the two artistic elements support each other?

JG: Creating visual art myself is something that happened only recently, and has really increased in intensity in the past few months.  I was inspired to create art by seeing works by Jean-Michel Basquiat.  Just like Basquiat, my work has a lot of bright, joyful colors, but also works at deeper level, what the Abstract Expressionist called “the sublime”.  Abstract expressionism is an influence on my art, as is the work of Cy Twombley.  Yes, there is a lot of music in my artwork, and a lot of people say they can really see music in my paintings.  It is because there is a lot of energy, vibration, and that sense of flow that I talked about earlier in the paintings.  The artworks have rhythm.

ST: When did you start composing, playing the piano and painting?  You play improvisational music- do you ever paint in that manner?

JG: The artwork is definitely improvisational.  I start with no preconceived plan or sketch, I simply start in, and follow my intuition.  I let the painting tell me what to do.  And recently I have been starting to use acrylic paints to do essentially finger painting – except using my whole hand, and sometimes my whole arm.  I also use both hands to paint, sometimes at the same time, just like using my right and left hand to play piano.

Joel Garten in creative motion
Joel Garten in creative motion

ST: What have you been listening to when you paint?  What kind of music do you like?

JG: I have a number of different things on when I paint, sometimes it is Stevie Wonder, sometimes it is jazz by Keith Jarrett (a big influence in my music) or Bobo Stenson.  I like classical music, jazz and Motown, as well as new music.

ST: Where do you find yourself feeling really inspired to create?  If there’s a process you go through to spark the creativity, please let us know.

JG: I usually get most inspired at night.  I don’t really need daylight to paint, I like to paint under incandescent lighting. I put on some music, take some supplies and start painting.

"Untitled" 22×30 inches, oil pastel and oil stick on paper by Joel Garten

"Untitled" 22×30 inches, oil pastel and oil stick on paper by Joel Garten

ST: What are some other forms of art you practice? Do you ever mix other mediums with your oil pastels?

JG: Well, I have a plan to do a number of other types of art.  The next thing I would like to do is use my artwork to create fashion.  Yes, I use oil pastels, oil stick (oil paint in stick form), and acrylic paint.

ST: I can’t wait to wear a piece of your art!  Do you ever play with other musicians?  Please let us know of your next show.

JG: I improvise music on my own, it is a very personal, and maybe even spiritual experience.  I do have interactions with other musician though.  When I was younger I was invited by the rock musician Bryan Adams to play a concert at his studio in Vancouver.  I am also doing a series of artist profiles of musicians, which is being published on the Huffington Post.  Right now I am focusing on doing small scale studio sessions-concerts of my music, and I want to turn those into a CD.

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

ST: You are up to all sort of creative happenings. Definitely keep Scribble Town posted on all your adventures! Just hearing about how energetic, active, and open you are is encouraging in itself.

JG: A lot of children are natural artists, and famous painters like Basquiat and Jean Dubuffet were inspired by children’s paintings.  It is hard for people to hold onto to their child-like talents as the get older, and marry those instincts with experience.

ST: Thank you Joel for all your insight and inspiration!  Joel has also given parents and teachers tips on how to talk about art with young artists.  To read more about that please go to the Scribble Shop Inspirations page: http://www.scribbleshop.com/content/artist-joel-garten-shares-how-create-and-talk-about-art-your-child

Check out Joel Garten’s website www.joelgarten.com!

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

"Untitled" 22x30 inches, mixed media on paper by Joel Garten

Print
Posted by , on May 13th, 2013 at 6:00 am. 2 Comments

Category: adults,Arts & Crafts,Design,Featured,Scribble Artist Interviews,Uncategorized Labels: , , , , , Joel Garten, Music, Oil Pastels, Scribble Artist Interviews, , ,


Scribble Artist Interview with Amy Eisenfeld Genser!

Scribble Town (ST): From a distance what looks like a beautiful volcano of color and texture turns out to be an ingenious technique of rolled paper and paint. Amy Eisenfeld Genser has mastered the art of creating an organic effect by using mixed-media. Amy is also a mom of three sons from West Hartford, CT.  She says, “I’m a tad obsessed with paper and paint, color, patterns, and texture.”  You’ll soon see why!

Let’s start with, what does a day look like for you?

Mineral Long Pink by Amy Genser
Mineral Long Pink by Amy Genser

Amy Eisenfeld Genser (AEG): I am usually in my studio, on the third floor of my home. I work about five hours a day while my kids are in school. It is a juggling act. My typical day is to get the kids off to school, hit the gym for an hour, and then come home to work. Because my studio is in my home, it’s sometimes hard not to get “mess-tracted” as I call it (starting to do laundry, clean dishes, etc…) but having the studio on another floor helps. Going up the stairs is like crossing a threshold. I also listen to books on tape while I work. Time flies when I’m working on a piece and into a great story, but when I see the bus coming down my street at 3:45, my work day is over.

ST: I’ve never heard that term “mess-tracted” before, but I like it because I can completely relate to you! When you do get to your work, how would you define your art?  It seems to be a peaceful combination of craft and fine art.  I have never seen anything like it before.

AEG: I refer to it as mixed-media. I’ve been able to live in both the fine art and craft worlds. It’s nice to be welcome in both places.

ST: I can see how your artworks really settled nicely in the two worlds too. How did you discover this artistic process of paper quilling?  Was there somebody that encouraged you?

AEG: Technically, my process is not quilling – I will outline my process below. I first started experimenting with paper during a papermaking class while studying for my MFA in Graphic Design at RISD (Road Island School of Design). My professor Jan Baker encouraged us to test the limits of what paper can be.

River Run by Amy Genser

River Run by Amy Genser

ST: Where do you find yourself feeling really inspired to create? On your website (About page) you mention, “The sources of my work are textures, patterns, and grids. I look for forms that can be repeated to create a pattern when they are joined.”  Please expand on that and if you have a story we’d love to hear it!

AEG: Most of my inspiration comes from nature because it is perfectly imperfect. I love all kinds of organic processes. They are visually intriguing and engaging. We spend a lot of our summers on the beach in Rhode Island. I love watching the water, the rocks, and the light. Our beach has rocks with these really neat barnacles and seaweed. Their colors are always changing. Sometimes there’s a lot of it, and sometimes just a little. It’s neat to watch the progression. One day when the seaweed was purple, brown, yellow and green, my husband made the awesome observation that nature never clashes. I love that.

Mineral Violet by Amy Eisenfeld Genser

Mineral Violet by Amy Eisenfeld Genser

In reference to my latest “mineral series”, I have always been drawn to gem-like colors. My mother is a jeweler who works with a lot of gemstones. I’ve grown up peering into tourmalines, garnet,diamonds, opals, citrine, etc. We always talk about how juicy and “lickable” the colors are. I have recently been looking at a lot of agate and geodes. The colors are simultaneously vibrant and translucent. Pretty amazing. I thought I’d take a stab at my own interpretation of them.

ST: So how do you turn your paper to look like gems, minerals, and other elements of life? What is the process?

AEG: Using Thai Unryu, I treat the paper almost as a pigment, layering colors one on top of the other to create different colors. My pieces are about a foot wide. Then I roll one layer on top of the other in all different thicknesses. I seal the roll with acid-free, archival glue stick, and then cut the long piece into sections with scissors or pruning shears. I have pruning shears of all different sizes to accommodate different widths.

ST: Wow! What a laboratory of processes! What forms of art do you include in your mixed-media paintings? What are some tools you like to use?

AEG: The actual rolling and cutting process is pretty quick. At this point I could pretty much do it in my sleep. It’s the composition/editing process that usually takes the longest. I paint my surface, either canvas or paper first, with acrylic and a lot of gel medium. Then I place my paper pieces on top and manipulate them until I have a satisfactory composition. It’s like putting a puzzle together, only I don’t know the final picture until I see it. I roll my pieces accordingly as I develop and build the piece. It’s a back-and-forth process. The paper and the piece lay on different tables in my studio. I attach the paper onto the canvas with PVA once I have the pieces where I want them.

Tall Tower by Amy Eisenfeld Genser

Tall Tower by Amy Eisenfeld Genser

ST: Is there a song that moves you at the moment?  Perhaps you can place a song with one of your works.

AEG: I can place a piece with a book on tape – one of my favorite- Prince of Tides” by Pat Conroy. I usually listen to books on tape while I work. My head is usually in the story, and my hands are free to do what they need to do.

ST: The titles of your pieces are very revealing and help the viewer guide how they can look your work.  How do you come up with these titles?

AEG: Usually it had to do with the inspiration for the piece. I just look at the work and figure out a title. They always feel a little uncomfortable and arbitrary to me. It’s hard for me to give words to something that is visual.

ST: Amy, what’s a piece of advice you can give our Scribblers?

AEG: Have fun! Do what feels good. Keep your hands busy and the work will follow along. There’s nothing like getting rid of creative energy through using your hands. I was that kid who was always weaving potholders on the plastic loom and making complicated patterns in woven friendship bracelets.

ST: Thanks Amy for sharing so much with us! Amy has shared an activity for us to get started on our own artwork.  Check out Scribble Shop for more details:
http://www.scribbleshop.com/content/roll-it-your-wonder-amy-eisenfeld-genser

Portrait of Amy Eisenfeld Genser

Portrait of Amy Eisenfeld Genser

Print

Scribble Artist Interview with Adrienne Moumin!

Scribble Town (ST): The first time I spotted Adrienne Moumin’s photo collages I was stunned by their design and beauty.  And then curiosity hit!  How did she do that?  Where are these images coming from and how is it so that from one concrete image it is perfectly cut and spliced and then re-contextualized all to have it’s meaning turned upside down.  Adrienne is here with us to share with us her creative story!

Adrienne Moumin (AM): I was born in 1961 in Brooklyn, NY. I work in film-based, hand-printed, B&W photography, and hand-cut-and-assembled, mixed-media photo collage.

Sculpture Garden Hirshhorn; 33” x 33” Hand-Cut-and- Assembled Gelatin Silver Photo Collage; 2009 by Adrienne Moumin

Sculpture Garden Hirshhorn; 33” x 33” Hand-Cut-and- Assembled Gelatin Silver Photo Collage; 2009 by Adrienne Moumin

I am best known for my Architextures series of handmade photo collages.  My favorite photographic subjects are NYC architecture and urban landscapes, and store window mannequins.

Adrienne Moumin at Architectural Digest Home Design Show, Pier 94 in NYC, March 21-24, 2013

This is me (with a selection of my Architextures photo collages) in my booth at the Architectural Digest Home Design Show, Pier 94 in NYC, March 21-24, 2013. I made a great many contacts in the architecture and interior design fields, as well as directly with people who buy art for their homes and offices.

My photography and collage have been exhibited in New York, and nationwide, for over fifteen years.  My work is in private collections in the US and internationally.

ST: Your photographs and collages have been on the move for quite a while now!  Where are you and what are you up to these days?

AM: I am based in New York, NY and Silver Spring, MD. I split my time between the two cities: showroom in NYC, and studio and darkroom in MD. I am continuing to work on my Architextures series, as well as coming back to the surrealist mixed-media collage style that I have dabbled in for years. I recently sold one of those pieces to someone who is wildly enthusiastic, and has encouraged me to produce more work in that genre.

ST: I like the name of your series, Architextures.  It gives a tangible feeling to the photo collages, but also a sense of having a strong structure to the series.  When did you start making collages and taking photographs? Was there somebody that encouraged you?

AM: I began working in cut-paper collage starting at about 8 years of age, using magazines and catalogs that would come to the house, to decorate whatever I could find.  A major project in childhood was decorating the top of a castoff bookcase with hand-cut magazine pictures. I began photographing seriously, and studying film and darkroom processes, in my ‘20’s. I have been completely self-propelled in my artistic endeavors.

Snippetree; 19" x 13 ¼" x 1 ½” Deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; Made from over 300 pieces cut from 10 duplicate prints; 2011 by Adrienne Moumin

Snippetree; 19" x 13 ¼" x 1 ½” Deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; Made from over 300 pieces cut from 10 duplicate prints; 2011 by Adrienne Moumin

ST: That’s great to hear that you have been making collages since your were 8 years old!  Where do you find yourself feeling really inspired to create?  I really like your stories on your website especially the one under Architectural Detail.  You write, “Someone told me once that I was an architect in another life. I love the curves and the lines, the reflections and the tonalities, the solidity and transparency, and the man-made striving for esthetic and functional perfection, of architectural forms.”  To read more of Adrienne’s stories please go to http://www.picturexhibit.com/index.html.

AM: So many things inspire me!: Walking around the city, looking at architecture and urban landscapes; fashions worn by passersby; and store window displays.  And, of course, looking at the art of others, in galleries, museums, and online.

ST: Inspiration is one thing, but skill is another.  How do you hand print silver gelatin photographs?  What is the process?  I’m sure we are all interested in the magic of the dark room.

AM: I use an enlarger, which is a device that shines a light through the photographic negative, and projects it below onto the light-sensitive paper that I place there.  Then I put the paper through a series of chemicals in trays, to develop and fix that latent image. This is all done under a reddish-orange “safelight,” which provides just enough light for me to see what I am doing, yet does not affect the paper.

ST: What forms of art do you include in your mixed media photo collages?  What are some tools you like to use?

AM: I always start with the photograph, and what it suggests to me in terms of feeling and mood.  There is no limit to what I will attach to the surface of a photograph. Paper cutouts, glass or plastic beads, sequins, Swarovski crystals, metal stampings…the list never ends!

Time Warner Center; 20” x 43” Hand-Cut-and-Assembled Gelatin Silver Photo Collage; 2009
Time Warner Center; 20” x 43” Hand-Cut-and-Assembled Gelatin Silver Photo Collage; 2009 by Adrienne Moumin

ST: What kind of music do you like?  Is there something you are listening to at the moment while you make art?

AM: Music is very important to me when I am printing in the darkroom.  In keeping with the analog nature of my work (and my refusal to replace a perfectly functioning technology simply because something new comes out), I have a little boombox in there which plays cassettes and CDs! Two of the CDs I nearly always listen to during printing sessions are the first album from Counting Crows, “August and Everything After,” and The Band’s “Greatest Hits.”

The Victory Arpeggios; 25½” x 25¾” x 3/8” deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; 2012 by Adrienne Moumin

The Victory Arpeggios; 25½” x 25¾” x 3/8” deep Hand-Cut-and- Assembled 3-D Gelatin Silver Photo Collage; 2012 by Adrienne Moumin

ST: Adrienne, you have given us a great start to create and how to look at things differently!  What is a piece of advice for parents and their little scribblers?

AM: For the parents: Look at some collage sites on the internet, and google different search terms, to find age-approriate project ideas for children; many require little or no money.  Talk to your children about what they would enjoy; you never know when an idea will spark a fire that lasts a lifetime.

For scribblers: Just do what you feel. Because art has no rules.

I found this on Pinterest, and followed the link to this ingenious project, posted by art teacher Sherri Schultz.  It is simply using our imaginations to expand on an image.
http://artmommie.blogspot.com/2012/03/young-explorers-class_10.html

ST: You are right- art has no rules and now is the time to explore and create!  Thank you, Adrienne!

To find the tools to get started on your own collage please have a look at Adrienne’s suggested art activity that expands your image :)  http://www.scribbleshop.com/content/exploring-expansion-your-image-and-imagination

Print

Scribble Artist Interview with Ernest Concepcion!

Scribble Town (ST): Hi Ernest! To me, your work is very playful so I wonder how do you describe your own artwork.  Especially in the portrait of you I can see the play oozing out of you as you play at work on your One Cloud painting (see below)!

Ernest Concepcion (EC): Hi! My name is Ernest Concepcion. I’m a Filipino visual artist and currently live in Brooklyn, NY. My works usually depict opposing forces engaged in ridiculous battle based on the nostalgic references of childhood and adolescence.

One Cloud, work in progress by Ernest Concepcion

One Cloud, work in progress by Ernest Concepcion

ST: From the Philippines all the way to Brooklyn, where are you and what are you up to these days?

EC: I still live in Brooklyn, and have been here since moving from the Philippines in 2002. I do go back often to my home city of Manila and was just there for 6 months last year. It was probably my most productive trip so far. I was only scheduled for 1 solo show and then when my friends found out I was coming home, they invited me over to participate for more shows. In half a year, from February till August 2012, I ended up having 2 solo shows and 4 group shows, including exhibiting at a prominent museum in Manila. It was pretty crazy.

Gerana (The Wrath Of), ink, acrylic and colored pencil on paper by Ernest Concepcion

Gerana (The Wrath Of), ink, acrylic and colored pencil on paper by Ernest Concepcion

All the works were made there. For the first three months I was cranking it up doing 6 x 4 feet paintings. My sleeping habits changed. I started doing the UBERMAN cycle. Have you ever heard of that? You’re basically awake and work for 4 hours then take powernaps for 30 minutes to an hour and then work again for 4 hours and so forth. I tried it – I wasn’t exactly successful. Haha. Nah, I took it easy and still hung out with friends. I found out it’s better that way. But when I do work at the studio, I’m like an unstoppable freight train. I’m going back this year on August 2013 for more art projects.

ST: Your friends sound so great! So supportive of you and your art. I’m sure they were also just so happy to have you back home. When did you start drawing?

EC: I would say I started drawing when I was real young mostly because I was inspired by my older brother. He would draw these fantastic cars based on the 80’s movie Mad Max and I totally got into and started copying him. Later on I started drawing my own little stories with pictures on notebooks similar to the CHOOSE YOUR OWN ADVENTURES books. Comicbooks and Saturday morning cartoons have been a major influence as well. Come to think of it, my drawing style has not changed much at all. It probably has changed technique-wise in terms of perspective, anatomy, linework – but I would say it has retained its childlike qualities that harkens back to young Ernest. I was trying to think if art school changed my drawing style at all, but I think not that much. Undergrad in the Philippines was more about theory for me and my drawing process went into a dormant state because I got heavily into conceptual art and video. But when I moved to New York, it almost seems like that hibernating child-general woke up all of a sudden ready for action.

Life In A Hidden Valley by Ernest Concepcion

Life In A Hidden Valley by Ernest Concepcion

ST: Between all the traveling, is there a favorite place you like to create?

EC: Well, I currently work from home and do my oil paintings in my own apartment. Oftentimes I couldn’t believe how I managed to do this but I guess I was able to adapt and develop my organizational skills in paintings. So I would say this is my favorite place right now. I did have a studio in Gowanus, Brooklyn for 3 years and that used to be my favorite place to work. I would spend countless hours there and was able to produce a ton of work. But alas, I had to move out in 2009. However, when I fly back to Manila I work at Mom’s house and she has prepared a space for me to work there, which I would say is probably the best. Its right beside her garden and there’s a sense of calm and serenity in the studio – a perfect contrast to my conflict-ridden works. I’m not exactly the type who draws in the subway, in a café, etc. I don’t usually carry a sketchpad at all even. Just a notebook to jot down ideas and that’s it. I make art at the studio. When I’m at a café, I drink coffee.

Queens 2020, Ernest Concepcion

Queens 2020, Ernest Concepcion

ST: What other forms of art do you practice? What are your favorite tools you use to create?

EC: I also practice installation art and I collaborate murals with my friend Mike Estabrook as the Shining Mantis. I’ve been getting more and more into comicbook making and that’s definitely something I would like to develop soon. I was a big fan of the Sharpie for my drawings, I still am! But I’m totally getting into drawing with a brush these days and India ink tends to stay longer and seem more vibrant in the long run. Also, I could make entire fields of black with an ink-filled brush and that saves a lot of time.

ST: I’m seeing and hearing a theme of childhood in your artwork, but is there something in particular you want to say with your art?

EC: In my works, I would like to express what it’s like to be a kid again. The joy of expressing relentlessly.

ST: Is there a piece of art that speaks to you?

EC: There are so much art that speaks to me, but the ones I really appreciate are the works that I could feel express a certain vibe of ferocious expression – I don’t know, I can’t explain it too well.

Pajama People vs. Apparitions, ink on acetate, watercolor on paper by Ernest Concepcion

Pajama People vs. Apparitions, ink on acetate, watercolor on paper by Ernest Concepcion

ST: Where do you get your inspiration from and who inspires you?

EC: Right now I’m getting a lot of inspiration from independent game designers. Haha. Seriously. I’m an avid gamer and seeing the works of most indie game developers and feel the years they spent on coding, designing, beta testing and perfecting these games via patches and downloadable content never fail to inspire me. I recently attended a festival about Andy Kaufman and it ran for 2 weeks. I was there almost every day! It was amazing. For me he’s a real inspiration, and he’s true to his craft. And when I mean ‘true’, I meant he doesn’t care what he was doing really, he was totally just having so much fun at the moment. And to me that’s awesome.

Kangarok 1 and 10th, Ernest Concepcion

Kangarok 1 and 10th, Ernest Concepcion

ST: Your work does look fun and Ernest, you have done so much!  Any tips for us?

EC: I would advice to everyone to just keep making work and expressing without boundaries. I am also an art teacher myself to kids and I have always been open in encouraging my students to constantly experiment and explore. Breaking rules are great, but it will be futile if you don’t know the rules first. So learn the basics, the parameters, the limitations, the rules, and then transcend them.

ST: Thank you Ernest for sharing so much with us!  And don’t forget to play Ernest’s Shooting Stars game, http://www.scribbleshop.com/content/play-shooting-stars-game-ernest-concepcion

Kangarok III

Kangarok III

Print

Scribble Artist Interview with DV!

Scribble Town (ST): From a playful and loving person such as DV no wonder her ceramic sculptures embody and give so much joy to us all!  Thank you DV for taking the time to share with us.x
Froggy Fun by DV Hirsch!

Froggy Fun by DV Hirsch!

DV Hirsch (DV): I would like to be clear that I do not consider myself to be an artist.  If I was to be given a title then you  may call me a creaturiste.  My medium is clay and when I begin a sculpture, I rarely have an idea as to what the out come will be.
aa
ST:aHow did you get started with your creations?
DV's Bird in the Process

DV's Bird in the Process

DV:aI usually start out with a lump of clay that I hollow out and it becomes a pinch pot that I can build on.  There is nothing awe inspiring about a basic pinch pot but if I play with it and push it around enough, I may then say to myself that this looks like it could be a bird, or a fish.  Now sometimes something may start out as a fish and end up a bird.  I had a dog turn into a sea lion once.  The most wonderful thing about the sculpting process is that there are no mistakes.  You can always add, take away or smooth over. Once the sculpting process is done, you need to wrap the project up and let it dry very slowly and evenly.  This is because, as the clay dries, it shrinks and because I attach so many parts to my pinch pot, there is a potential for the parts to crack off if one part dries faster than the other.  At the point that the creature is dry, it is in it’s most fragile state.  If it is not handled very carefully, it could crumble.
This is a "Dino Bird" that has just been painted. by DV

This is a "Dino Bird" that has just been painted. by DV

When dried, the next stop is the kiln.  A kiln is like an oven where the sculpture bakes at very high temperature and hardens.  Once it goes through this process I no longer have to worry that it may crumble like a cookie.  It is still fragile, but now I only fear that I do not bang it.  Now the decorating process begins.  For me, this is a difficult step.  It takes a lot of discipline to paint the creature you see, because every color needs to be painted four times or else there is a chance that some color will disappear when it goes back into the kiln.  It can take me more than 100 hours to paint some  creatures, depending on how large and detailed they are.  When a creature is fully painted it goes back into the kiln for the colors to intensify.

InBe by DV

This first picture is of a guy I call an "InBe" he was just painted and is in the kiln waiting to be fired. DV

When it comes out of the kiln this time, I rinse it off, to wash away the dust, then I dip it into a clear liquid glaze.  The creature enters the kiln one more time.  However, this time the kiln’s temperature is much, much hotter.  Here the glaze will become glass like and give the creature a shiny appearance.  When it comes out, I have my fingers crossed that it looks like what I envisioned.

ST: Wow what a process!  You are a true artisan and sculpture because you are so skilled and thoughtful with your medium and creations.  What do you hope to communicate with your art?
 sss
DV: I think that the only thing that I want to communicate and share with my work is a smile.  That is their purpose.  If someone looks at my creature and it tickles them, then I am thrilled and that is my biggest reward.
a
From a young child, I was taught and encouraged to work with my hands.  I loved sewing, beading and clay and I was very lucky because my mom always made sure that if I had an interest in something then she would make sure that I had the supplies and books.  Often, I would take a class to learn a new skill.  Play dough was my earliest introduction to clay.  Actually, I believe that my mom made a play dough like substance out of corn starch.  I think that every child needs the active interest, encouragement and time from an adult to help them develop  a passion for crafts because in this day and age it is just too easy for a child to zone on the computer or TV.
Hello there! by DV

Hello there! by DV

I would never want to discourage anyone from doing ceramics.  When I finally finish a sculpture it is very rewarding.  However, the ceramic process is not for the faint of heart.  I say this because, every step of the way, there is a potential for your project to have a problem.  Often you can work through it but occasionally the project needs to be discarded.  That being said, in addition to a wide variety of skills that you learn from doing ceramics, the entire process is a wonderful teacher of many values and character attributes.  Patience, delayed gratification, pride in ones work, respect for others work and craftsmanship are just a few lessons learned.
aa
ST: Well, you are very good at what you do because I feel tickled :) Where does this tickling process begin- what is your favorite place to create?

DV: 
I work at a studio in NYC called La Mano Pottery.  It is a wonderful environment to work in.  Filled with good energy and good people.  I have a shelf  where I keep my work but I can work anywhere in the studio.

Scrunch Bag Buddy by DV

Scrunch Bag Buddy by DV

Everyone there is helpful and supportive.  A primary reason to work at a studio is because there I have access to the kiln along with many supplies and equipment which is not practical to have in an apartment setting.  The studio has 5 kilns and work is constantly loaded into the kilns to be fired.  So you never have to wait very long to see your final project.  Another advantage to the studio is that you are not isolated.  If you have questions or need help, there are always knowledgeable people to ask.

One of my favorite things to do at the studio is to look at eveyones shelves and admire their work.  There is so much creativity there and it is fun to be able to identify people’s work just by knowing their style.

The studio is a great place to go and become familiar with the wonder of ceramics.  At La Mano Pottery, they offer many children and adult classes.  I often see parents and their children take private lessons together.

ST: Sounds like we should all pay La Mano Pottery a visit!  One important aspect to making art is to be an environment that encourages you in the right way.  I’m happy to know you have found a place to do that.  You know where to put your cup (look below :) ).  Thanks DV!

My Cup by DV

My Cup by DV

Print

Scribble Artist Interview with Pedro Mena!

Scribble Town (ST): Pedro Mena, a person of multiple trades and interests, is here with us in Scribble Town!  Pedro is an artist, teacher and a first time dad. He likes NY Pizza, Spanish Soccer, and the History of Rock and Roll!  Pedro, where are you and what are you up to these days?

Squeegees of Spain by Pedro Mena

Squeegees of Spain by Pedro Mena

Pedro Mena (PM): San Francisco Bay Area. Off on Paternity Leave! Returning to teaching visual art shortly. Donated a piece for the upcoming annual HAPS (Haight Ashbury Psychological Services) Art Auction Benefit.

ST: Congratulations on your new baby! Having a new family member will put a special spin on things :) How has your art practice changed over time and does being an art teacher (and for the future- being a father) have an effect on your own art practice?  Please let us know what ages and where you teach.

PM: It has become more specific in addressing necessity. Yes! It has allowed for more patience and flexibility – and a new outlook on seeking and bridging ideas. Middle School, Burke’s, SF.

A peek into Pedro Mena's classroom

A peek into Pedro Mena's classroom

ST: From the looks of your classroom you definitely encourage all kinds of artistic practice- from visual to musical!  What do you hope to communicate with your art and with your teaching?  Are there any other artistic mediums you work with to help push your idea along?

PM: Excitement and Engagement. Anything and everything! Music, technology, storytelling…

ST: How old were you when you first started making art and who encouraged you to create?

PM: I remember the first time getting recognized for my drawing – it was in 1st grade. A classmate asked for a drawing of Spider-Man after seeing mine. I won 3rd place in a community coloring contest later that year. I bought a toy robot of Twiki from the Buck Rogers series with the $10 toy store gift certificate prize. My family encouraged me. I was surrounded with the paintings, drawings, and prints of my grandfather growing up. He encouraged me as well. 

ST: Who are some of your favorite artists and/or authors?

PM: My grandfather, Bolivar Mena Franco, El Greco, Andrea del Castagno, Velasquez, Max Ernst, Rothko, Forrest Bess, Philip Guston,Jack Kirby, Wes Wilson, ’80s Ashley Bickerton, Jonathan Lasker, Steve Dibenedetto (college professor), Lady Pink, Nate 1…too many to name! They’ve all brought static works to life. As for writers, Peter Guralnick can sure bring a biography to life.

Pedro Mena's Rock Benefit Merchandise

Pedro Mena's Rock Benefit Merchandise

ST: I can see how your favorite artists have inspired you.  Your students are very lucky to have such an enthusiastic and caring teacher.  Thank you for sharing with Scribble Town and keep us posted on your upcoming auction and other benefit programs!

To read more about Pedro Meno’s tips on how to make Sticker Art please go to:
http://www.scribbleshop.com/content/sticker-art-pedro-mena 

Print